Tuesday, August 21, 2018

Wash, Rinse, Repeat

Finally splurged to get the Castle DVD set.  Ironically, this summer also saw a whole series of Castle rip-offs.  Seriously?  Cable TV seems to be caught in the same morass of Hollywood and Broadway, struggling to come up with something new.  That being said ...

Castle -- the semi-original.  Oddball cop pairings are nothing new but ABC did it well with Castle, which bounced between kind of funny and kind of dark without going too far in either direction.  The chemistry between Castle and Beckett always seemed a tad forced, IMHO.  I was nearly laughed out of the room when I once made the mistake of saying this out loud.  I was vindicated when the series wrapped and it was revealed that Fillion and Stanic were definitely not on each other's Friends and Family plan.  It doesn't matter.  Flying quips and good pacing, along with predictable but interesting twists, made this worth the hour.

Take Two -- Unlike Castle, where a writer shadows a cop who flings subtle insults at him backed by a quirky cast, this one is a troubled actress who shadows a private eye/former cop who has little respect for her.  They are backed up by a quirky cast.  Seeing a pattern?  This one is almost too hard to watch.  Plots are utterly forgettable and the solution to the mystery easily reached in the first five minutes.  Rachel Bilson is bubbly to the point of being in a sitcom, while Eddie Cibrian is just moody.  Makes the chemistry on Castle look good.  While it has aged better than the premiere promised, I don't see this one staying on my DVR.

Private Eyes -- this Canadian import on Ion is about a former hockey player shadowing a private eye who was a cop's daughter.  They are backed up by a quirky cast, which includes a blind daughter for the hockey player.  This takes a page from the Castle playbook as Castle's interactions with his mother and daughter were some of the best scenes of the show.  In Private Eyes, it is a father and daughter but doesn't stray much from the formula.  The mysteries are a tad more complex, the characters somewhat more real and overall show less fluffy than Take Two.  If I had a choice between the two shows, Private Eyes wins hands down.

Carter -- another Canadian import (on Bravo) which features a troubled actor shadowing his female cop friend.  Frankly, by the time this one debuted, I was done.  Didn't even bother.

Who wore it best?  Castle.  Private Eyes is a contender, though, and worth a summer play.

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