FILM
Outstanding Performance by a Cast: This came down to Belfast and CODA. Both are just lovely family dramas. Setting aside my personal bias of loving
anything Irish, I had to go with CODA which really peeled into the
layers of the complex relationships between family members.
Outstanding Performance by a Female Actor in a Leading
Role: Jessica Chastain in The
Eyes of Tammy Faye. For me, none of
the others even came close.
Outstanding Performance by a Male Actor in a Leading
Role: Will Smith, hands down.
Outstanding Performance by a Female Actor in a Supporting
Role: This one was really tough. A four-way race, in my humble opinion. That being said, I went for Ariana DeBose in West
Side Story. Her performance wasn’t
“better” than the others but it involved singing and dancing as well as acting
and I just enjoy a fresh face. Ms.
DeBose brought so much energy to the work that the screen just shimmered when
she was in a scene.
Outstanding Performance by a Male Actor in a Supporting
Role: This was a three-way tie for
me. In the end I went with Ben Affleck,
whose presence in The Tender Bar really made the film work. And he did an amazing job of subverting his
own personality to simply “be” the character.
Bravo.
TELEVISION
Outstanding Performance by an Ensemble in a Drama Series: I was really going to go for Handmaid’s
Tale. I ADORE Handmaid’s Tale. But The Morning Show kind of blew me
away. There isn’t a single character who
doesn’t bring 120% to the production, and it fits together like an incredibly
dense puzzle.
Outstanding Performance by a Female Actor in a Drama
Series: I’m the first to say that
people shouldn’t get an award for playing the same role over and over every
year. That being said I voted for
Elisabeth Moss in Handmaid’s Tale.
Again. And always. The layers of this character, as she moves
from mom to rebel to, well, something else, are impossible to turn away from.
Outstanding Performance by a Male Actor in a Drama
Series: Billy Crudup, The Morning
Show. He makes awful decisions. And then tries to justify them. And struggles with his own actions. With a single look he communicates a million
feelings. It’s kind of brilliant.
Outstanding Performance by an Ensemble in a Comedy
Series: The Great. Always.
It won’t win. But it should. It really, really should.
Outstanding Performance by a Female Actor in a Comedy
Series: Elle Fanning, The Great. See above.
Outstanding Performance by a Male Actor in a Comedy
Series: This one is tough because I
basically didn’t like Ted Lasso or Only Murders in the Building. So I went with Michael Douglas in The
Kominksy Method. It’s a default but
I like the show and I like his work in it.
He really embraces who he is now, warts and all. After seeing so many Hollywood types fight
aging tooth and nail, this performance is refreshing and real.
Outstanding Performance by a Female Actor in a Television
Movie or Limited Series: This was
really tough. I wanted to go with
Cynthia Erivo, who (I’m very sad to say) was better than Jennifer Hudson at
playing Aretha Franklin. The performance
was more layered, more energized. Less
sanitized. But then there was Maid. Margaret Qualley’s frustration, anger and
desperation as she is continually boxed into corners she can’t get out of are a
portrait of pain. I went with Margaret
Qualley.
Outstanding Performance by a Male Actor in a Television
Movie or Limited Series: Really
really wanted to go with Murray Bartlett from The White Lotus as his
role was not only critical but just beautifully played. But then there was Dopesick. The show didn’t just transfix me. And Michael Keaton proved, yet again, what a
terrific actor he is. He just
metamorphized into a small-town doctor.
No ego, no echoes of the actor, just the character. It was lovely.
STUNTS
Outstanding Action Performance by a Stunt Ensemble in a
Motion Picture: This was tough but
fun. Almost all of these not only had
great stunts but were highly watchable (particularly Dune and No Time
to Die). And it’s tricky these
days. You don’t want to reward digital
effects instead of the actual stunt work.
All that being said No Time to Die, Shang-Chi and Black
Widow each had a ton of stunt work and all had some fun, unique things to
look at. There was a protracted
motorcycle chase up and down stairwells in a European city, a large fight on a
bamboo scaffolding and two “sisters” who aren’t exactly best friends when they
meet up for the first time in decades. I
went with Black Widow because, in my heart, I believe that women fight
differently. They must rely on weight
shifts and unique moves more than on punches thrown with brute strength. I loved the use of towels in the first
showdown between Natasha and Yelena. It
was creative and fresh. Brava.
Outstanding Action Performance by a Stunt Ensemble in a
Television Series: Tough call. Went with Squid Game cuz, well, yeah,
these are new scenarios. Still trying to
figure out why Star Trek: Discovery
never gets a nod. Most recent season had
****loads of stunts. Anyway a note that
stunts aside Loki was my favorite new Marvel mini-series.
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