"You're Welcome, Universe" by Whitney Gardner

This novel is fascinating, frustrating and a bit fun.  Julia, a Deaf high schooler who loves creating street art, has been expelled from her deaf school for a work in the school gym.  Her new school is "hearie" and she struggles on multiple levels ... with her interpreter, her lack of friends, her Moms, her desire to create, and more.  Julia's voice is strong, powerful and real.  The issue of signing vs. lip reading is well portrayed and this book is the first I know of to address the topic so seamlessly.  I didn't even understand the emojis at the beginning of each chapter but it speaks to the visual nature of those who are d/Deaf and hard of hearing.  The story isn't perfect.  Julia is a passionate young woman who flies off the handle at every provocation and her whining/fury did get a little tiresome but I can't say it is an inaccurate depiction of a teen girl -- right down to the girl drama.  Transitions are sometimes abrupt and some will bemoan a hearing author writing about the d/Deaf and hard of hearing community.  That being said, credit to Ms. Gardner for creating a fairly edgy, crunchy character you still care about.  Despite her many faults Julia's heart shines throughout.  Secondary characters are created with multiple layers of complexity and the artwork depicting the various creations enhances the tale a good bit.  This won the Schneider Family Book Award for best story of the disability experience for teens this year (even though deafness is not seen by many in the deaf community as a disability -- read the book for more).  Not bad for a first work.  Well deserved.

"Leadership and Self-Deception: Getting Out of the Box" by the Arbinger Institute

Of the three Arbinger books I have read this year, this was the hardest.  Not that it was bad but each of the other two had a hook while this book was slower and more introspective.  "The Anatomy of Peace" blew me away with the take-away messages and stress reduction. "The Outward Mindset" was impressive for the real-world stories and application.  Like "The Anatomy of Peace" this one has a pseudo-setting (taking various clients and combining them into a narrative) but instead of a group setting, this narrative focuses on a single person, "Tom" meets with his new boss and gets challenged in ways he doesn't expect.  If you can get past the artificiality of the premise, the lessons are still there -- clear and simple and powerful.

"In the Footsteps of Crazy Horse" by Joseph Marshall III

I wanted so badly for this to be good.  Apparently so did the Virginia State Reading Association in selecting it for their annual Readers' Choice event.  I know why they picked it.  In striving for diverse titles we are woefully short of material on Native Americans.  This should have fit the bill.  It is authentic (the author is a Native American) and covers "the other side" of history by telling the tale from the side of the Lakota tribes.  Unfortunately, Mr. Marshall primarily writes nonfiction for adults and his attempt at writing a fiction tale for youth is predictably strained.  The book is a story within a story.  The better part of the tale is the inside story.  Snapshots of critical moments in the life of Crazy Horse are covered in the style of Native American storytelling.  They have an authentic cadence and structure and are compelling.  The outside story bogs the whole thing down.  The idea is that a Grandfather takes his grandson, Jimmy, on a journey through the various monuments of the upper Midwest, following the path of the famous warrior Crazy Horse.  Just when you start getting into the stories there are needless insertions of pointless information, which is often repeated ("Remember, it was very cold").  There are also inaccuracies.  The Grandfather points to a "photo of Crazy Horse" which has been proved bogus in recent years.  Mr. Marshall wouldn't know this as most of the sources he used in researching the topic are significantly dated.  The details of each stop along their route also include so much specificity that we learn things like "the restrooms are in a brick building to the right of the main building".  Do we really need to know this?  How did this kind of detail contribute to the story?  Answer:  It didn't.  Also problematic was the fake wholesomeness of the relationship.  Young Jimmy often says "For reals?" to which Grandfather smiles and says "For reals!"  It was so cheesy it made the Andy Griffin Show look like 60 Minutes.  We need good stories about our troubled history from the point of view of those whose families and culture were annihilated.  This just isn't it.  Frankly I find more compelling stories in the 1990s TV show, "Dr. Quinn, Medicine Woman."

"When I Was the Greatest" by Jason Reynolds

Jason Reynolds writes quiet books.  This story is no different.  Often set in New York's inner city he creates lead characters who are reflective, who care, and who observe their surroundings with a kind of depth which draws in the reader not only to the setting but to the world created by the author.  I like reading Jason Reynolds books.  "When I Was the Greatest" is no exception.  Despite the provocative cover the story here is just a story -- a slice of life.  There are lessons learned and lots of levels and complexities to every character introduced.  This is one of Jason Reynolds' greatest skills.  He creates characters who feel real and you can't help but care about them and connect to them.  In this novel "Ali" makes friends with a pair of brothers who live in the run-down brownstone next door.  "Noodles" is fun, mouthy and hugely protective of his brother "Needles" who suffers from Tourette's Syndrome.  Most of the story takes place over a few days of a hot New York summer with a good bit of reminiscing about how the friendship grew.  Ali is close to his family, which creates a point of grounding not only for him but for Noodles, who tends to walk on the edge.  While events do happen the point of the book is the internal journey.  It always is, which is why his works are so universal.  Almost everything Jason Reynolds writes wins an award.  And well they should.  Enjoy.

"Funny in Farsi: A Memoir of Growing Up Iranian in America" by Firoozeh Dumas

I wish two things.  #1 That I had read this before reading "It Ain't So Awful, Falafel" and #2 That I had read the "extra chapter" at the end, added in this reprint, before reading the book.  It is obvious that the fictional middle school tome "It Ain't So Awful, Falafel" was an attempt to synthesize this story in a palatable form for younger readers, but this book is so much better.  Essentially, this is a collection of short essays.  Some are about the author's time here as a child, others are about her Berkeley years, her Iranian homeland, her travels, her husband, etc.  But mostly, this book is about family.  The reason I wish I had read the extra chapter first is that Firoozeh is a bit caustic in her humor, making frank (very frank) comments about her family, particularly about her parents.  I kind of laughed and winced at the same time.  The extra chapter lets the reader know that all parties were mostly okay with the content.  That being said the stories are hugely relatable.  I can't imagine a person with a large family ~not~ finding something familiar here.  It was "My Big Fat Greek Wedding" and my personal "Big Fat Irish Catholic Family" all rolled into one.  Hence the laughs, and the understanding.  Ms. Dumas' writing style is accessible and engaging but I'm not sure I saw the "flow" she mentions in her notes at the end.  The short essays sometimes seemed to have a connectedness, sometimes they felt like stand-alones.  They are not arranged in any kind of time-line and often feel like the free-form ramblings you might experience in a story told at a dinner party.  You may not get the point at first but then you do (mostly).  Even when you don't get the point, the tales are engaging.  Some pull at your heartstrings as we experience yet another questioning of immigrants here in this great nation.  It is for that reason that this 2003 book has such power -- it should be a must-read for every member of the U.S. Congress.  Worthy of its status as a bestseller and hugely applicable to our current world.

"The Outward Mindset: Seeing Beyond Ourselves" by The Arbinger Institute

One of three books focused on the workplace and human interactions, this is the second I have read ("The Anatomy of Peace" was the first).  While it didn't have the emotional impact of "The Anatomy of Peace" I liked this work somewhat better in that the stories were real.  The artificiality of the previous book allowed me to distance somewhat.  In this one, which opens with a powerful story of the actions of a member of a SWAT team, I found myself drawn in more to the complexities of how we function at work and how we see others around us.  Like the other book the prose is clean, clear and to the point.  It makes for a fast read and there are multiple takeaways.  I like the authors' efforts to drill down.  While the presented graphics are very simplistic the writers make sure not to stop at the first point but to continue unpeeling layers.  At the end the wrap-up goes on for several chapters (perhaps more than is needed) but the book is hugely palatable and quite accessible.  Very much worth the effort for anyone dealing with the day-to-day challenges of working in a large organization.

"The Great American Whatever" by Tim Federle

I thoroughly enjoyed "Better Nate Than Ever" and didn't connect it to the same author (that was an upper Elem/Middle School title) as I began reading this book, which is distinctly high school and up.  This one is more personal than the Nate series, and it shows.  Mr. Federle's evident passion, fully-fledged characters and powerful "inner voice" saves this jumble of a story.  It's not bad, it's just not "smooth".  Written almost as a stream of consciousness, there is a jumpiness about the narrative and many elements (many many elements) do not connect.  In the end, our protagonist Quinn has had some huge life moments but there is not a sense of what happens next.  At some points, sentences aren't actually sentences.  Take this example:  "And just when that's the saddest little memory -- because all of the saddest memories are the small ones that creep up on you quiet and scary as a summer bug -- Geoff does a cannon ball right beside Carly, and soaks her, and we all laugh and shriek."  It made for choppy, slow reading for me.  I connected because the characters are so real they leap off the page.  No single character is two-dimensional and every person in the book has layers upon layers, more than you really get to see as a reader.  Teens will identify with Quinn's burgeoning sexuality and everyone will understand the deepness of his grief over a family loss.  Federle doesn't spare here and delves into this pain from page one right through to the end.  What could be a moralistic tale to teens about texting while driving becomes a complex story of loss, pain, growing up and moving on.  The novel is a mish mash but it is human, which makes it work.  (Picky note -- Pittsburgh isn't in the Midwest.  Not even close.)

"Savvy" by Ingrid Law

Took me long enough to read this book!  This fast-paced award winner is an enjoyable read with remarkable similarities in theme to Lisa Graff's "A Tangle of Knots" (which was published four years later than this book). 


This book injects magical realism into the horrors of turning 13 and having your body basically betray you.  In this tale there are those who get psychic "gifts" on their 13th birthday.  The gifts are often unexpected and sometimes unwanted but, like any gift of this kind, have a silver lining.  Mississippi (aka Mibs) is dealing with many things at once -- her father has been in a car accident, her 13th birthday is approaching and a boy likes her.  The do-good parson's wife decides to take on the birthday party with a tumultuous tale ensuing.  Written in a highly accessible way with a compelling first person voice this story has had broad appeal for readers.  And yes, there are sequels.

"Save Me a Seat" by Sarah Weeks and Gita Varadarajan

This delightful upper Elementary/lower Middle School title takes place in only one week -- punctuated by five days of the cafeteria menu.  Ravi and Joe tell the tale in alternating chapters.  It is the first week of school and each is struggling with 6th grade.  Joe is an observant boy with a learning challenge.  Ravi is a "new to America" immigrant who doesn't understand the cultural norms.  There is, of course, a bully and there are some "lessons" which are clearly punctuated here and there but the story avoids cliché by being real.  The inner voices of each boy are compelling and resonate.  It is a great "point of view" book as the two boys learn to understand each other as they see the same events very differently.  This is the kind of book kids will greatly enjoy and will identify with.  Brava to both authors, who make the flow of the novel seamless.

"All's Faire in Middle School" by Victoria Jamieson

Fans of "Roller Girl" will enjoy Ms. Jamieson's latest work, which also features a girl "in search of" herself.  Imogene, aka "Impy" has parents who work the Florida Renaissance Festival each year (eight weekends in the fall) and Impy works to tolerate an annoying younger brother.  She has been home-schooled up until now and is beginning public school as a sixth grader.  Like the previous book, this one has bold artwork and the facial expressions which add to the story.  The artwork helps make the characters, which could be stock from any CW TV show, more dimensional.  Students will identify with the pre-teen girl drama, even if the tale was a bit too familiar for me.  On the plus side, Ms. Jamieson gets ren-fest right, clearly having done her research.  She touches, ever so briefly, on the challenges of racial identity these days (Impy's father is a man of color) but the references are so subtle that it is unclear if the typical reader would get them.  The darker-skinned father always plays the "bad guy" at the festival, an unhappy client at the retail store where he works intimates he doesn't belong.  Ms. Jamieson also doesn't shy away from the misery of life's mistakes and takes her time letting Impy dig a her own hole and suffer the consequences.  It is that part, two-thirds of the way through the book, which saved it for me.  On the negative side the plot was screamingly predictable and the ren-fest school allusions forced (hugely forced, Incredible Hulk forced).  The ending was very neatly tied up, which, again, will make this a win for younger readers.  The book is very "palatable."  It isn't brilliant or memorable but it should please the audience it was designed for. 

"Bone Gap" by Laura Ruby

This big deal award winner is one of the strangest books I have read in a very long time.  Literary, lyric, metaphorical and symbolic, there is a lot here.  So much that I struggle to identify a theme.  Was it a page turner?  Yes.  Could I tell you what it was about?  Um, not sure.  Set in Bone Gap, Illinois (yes, it is a real place) it has more of an Appalachian feel to it than Midwest.  There is a girl, a boy, another girl, another boy.  There is a kidnapping of sorts.  There are prescient animals and enough magical realism to evoke a sense of "other" rather than here and now.  There is pain for many and an undiagnosed illness.  There is healing.  The timeline is ... fluid.  This is just "different" -- but in a good way.  Don't read it the way I did, over 30 minute lunch blocks.  Sit in a chair by a window and delve in.  The world Ms. Ruby has created needs to be digested carefully.

"Gabi, A Girl in Pieces" by Isabel Quintero

This wide-ranging and mature story of high school Senior Gabi's big year is a real winner and has jumped into one of my "favorites of all time."  Gabi loves food, she loves boys, and she is hopelessly lost trying to navigate the complexities of life.  One best friend is pregnant, the other has just come out as gay.  Her father is a meth addict and her mother believes she is not a good girl (she is) and is becoming too "American" (maybe).  Told in nearly poetic prose, with actual poetry and a stunning, feminist "zine" imbedded, this book is a treasure.  It is stark and to the point in language, which will make it a bit much for younger readers, but the authenticity of Gabi's voice, her city, her life, make this a novel which springs off the page.  I really could find no fault with the book, which is very rare.  Brava, Gabi, and all the young people trying to navigate the world.  In this tale, you have a companion who gets it.

"Fuzzy Mud" by Louis Sachar

Louis Sachar doesn't crank them out quickly but when he does put a book out it is very good.  Such is the case with "Fuzzy Mud" which has bits of "Wolf Hollow" and A.S. King's "Me and Marvin Gardens" in it.  Delightful, simple and short it is the story of a bully, a forest and an ecological disaster.  With a strong page-turning quotient and somewhat unique characters there is something for everyone to enjoy.  Adults will like the subtle sarcasm in the "transcripts of Senate Hearings" while kids will appreciate the reality of school life.  The lead characters, Tamaya and Marshall, are inquisitive, dimensional characters and the bully, as usual, has pain behind his actions.  Could breeze through this in an afternoon.  Another worthy addition to the Sachar canon.

"Salt to the Sea" by Ruta Sepetys

"Between Shades of Gray" was quite good.  This book is brilliant.  Ms. Sepetys writes historical fiction about World War II, often focusing on the forgotten Eastern Front.  This searing tale, told in four voices, is about those brutal final months when Russia's advance and the collapse of Germany's power sent millions scrambling for safety.  The cover image and title reference the climax of the book. a true story somehow lost amidst the "romance" of other similar events.  While "Between Shades of Gray" maintained light strokes and some emotional distance, this book does not.  The brutality of the time is listed with clear detail -- not too much but "enough."  It became haunting for me.  It was a novel I could not stop thinking about long after I had put it down.  It is also very literary in structure and flow.  Again, Ms. Sepetys finds the right balance, making the novel readable and yet poetic.  It is powerful, difficult, worthwhile and sadly beautiful.  Worthy of the Carnegie Medal and other honors places upon it.  Brava.

"Pancho Rabbit and the Coyote: A Migrant's Tale" by Duncan Tonatiuh

Umm ...

"Quiet Power: The Secret Strengths of Introverted Kids" by Susan Cain with Gregory Mone and Erica Moroz

So, I selected this book for a bookclub with staff because I am not an introvert but I work with a good many introverts so I wanted to understand them better.  From that perspective the book didn't quite succeed as it is directed at introverted youth and is kind of like a little "rah-rah" tome to help them cope.  That being said, there were nuggets and takeaways.  First, the quiz at the beginning made me think -- am I really the extrovert I think I am?  I landed right in the 50/50 bucket with the questions, so that stood out.  There isn't much research presented but what they do cover is interesting.  Who knew that there are actual brain differences between introverts and extroverts?  The book did make me rethink, as an instructor, about calling on kids and how I lump in "participation" as a vital part of engagement.  Throughout, the insistence that being shy is different than being introverted was kind of lost on me as the point was not well-made.  A breezy, light read, it only fell into the lecture-trap a couple times ("don't do drugs") and was a worthwhile exploration.  My major issue with the book was the constant characterization of extroverts as "popular", "charismatic" and "pretty".  I'm not sure character traits have anything to do with physical appearance and I can assure you, as someone who has always been called an extrovert I have rarely been considered popular (the words "strident" and "outspoken" have been used.) Maybe I need to write my own book to combat these stereotypes!  In any case, I can see this book being a solace to those who struggle with large social interactions -- the very center of school life. 

"The Anatomy of Peace: Resolving the Heart of Conflict" by the Arbinger Institute

I really liked this.  One thing bugged me a bit but overall the book made the kind of impact that has had me thinking a good week after finishing it.  Presented as a nonfiction work, it seeks to help people see their role in negative interactions by finding a "peaceful heart" which allows them to see others with understanding and empathy.  The lessons are right on and easy to grasp.  The format is hugely readable as it is set in the framework of a kind of group encounter -- parents spending two days working with facilitators after dropping their addicted children off at a treatment center.  The format is where the book excels and stumbles.  By putting the points into a story, a narrative, it makes it infinitely readable and, in some ways, a page turner.  The problem is, this isn't a real encounter group.  It couldn't be, given the specificity of each character's inner voice.  It may have been cobbled together from various counseling sessions but it is inherently unreal and therefore comes off feeling a bit staged.  Nonetheless it mostly worked for me.  I was going through a significantly negative event while reading it and I actually felt myself becoming calmer, breathing more deeply, just by taking it in.  Bordering on Pop Pysch without being too saccharine, there were many take-aways with lasting impact.  A short, worthwhile book.

"Bright Lights, Dark Nights" by Stephen Emond

Much like "Winter Town", another book of Mr. Emond's which I read four years back, I was kind of so-so on this.  There are two storylines.  One is a love story between Walter Wilcox and his best friend's sister, Naomi.  The other is the tale of Walter's father, a struggling divorcee cop who is accused of racial profiling.  The love story feels real.  Walter's inner voice is compelling and powerful.  The cop story feels more like something the author read about and it comes off didactic and moralistic.  As with his other book, this is clearly drawing from the author's own life.  The screaming dissonance of teens buying music CDs, Facebook use and "Instant Messaging" distracts in a tale supposedly set in the modern age.  The story is equally messy with threads which don't go anywhere.  Dad has an emotional bounce when he begins a friendship with a nice neighbor lady but it doesn't develop.  Walter's sister drifts in and out of the narrative but doesn't seem to have a purpose.  Unlike "Winter Town" the drawings don't really add to the story.  While they contribute a sense of darkness they sometimes clash with the narrative.  A picture of the high school party looks like a kid's birthday celebration, the set of the hospital looks like an elegant hotel lobby.  The characters in the artwork are mostly faceless leaving only a sense of despair and loneliness, which is odd for a love story.  In any case, it ain't bad but it ain't great.  Fans of angst will continue to enjoy the work of Stephen Emond but I'm ready to move on.

"Me and Marvin Gardens" by Amy Sarig King

In a major departure from her high school level novels, Ms. King writes a sweet little book about a boy named Obe who is losing much but gains a friend in the form of an unusual creature. (And a girl.  And a teacher.)  Obe's voice is strong and the story has enough levels to be interesting.  Obe feels the loss of his family land, is bullied by his former best friend and is obsessed with the Science facts recited daily at his school about the loss of habitat.  It is readable and engaging but, for readers of Ms. King's other books, somewhat simplistic.  No matter.  The intended audience will enjoy it.  As an adult reader my only beef was that, once again, we have clear biography disguised as fiction.  While the story is supposedly set today, it reads somewhat like it was set in the 1970s or 1980s.  The author's voice comes through more often than it should and the parents are somewhat under-drawn.  Those complaints are minor and will not stand out to an Elementary reader.  A solid ecological tale which will touch the heart of any animal lover, I finished it in record time. 

"Air" by Ryan Gattis

Initially, I liked this book more than "The Hate U Give" because it is just better written.  The lead character, Grey, has a story to tell and I found that more compelling than Starr, who has a point to make.  SPOILER ALERT  The tale begins powerfully, with Grey arriving home with his brother and sisters to find his mother murdered, his estranged father covered in blood and being taken away by the police.  The family is split up and Grey is sent to live with his dowager aunt in Baltimore.  Feeling at loose ends he faces neighborhood bullies and finds a soul-mate in a young man who elevates Grey's skills with BMX bikes to illegal street acts on a dirt bike.  From there, the tale actually drags a bit.  Gattis delves into very specific details about the art of dirt bike and BMX stunts without advancing the storyline much.  There are the evil white cops who are out to get them (as black teens) which was one of the plot-points I struggled with.  I'm not saying this isn't an issue.  In Baltimore, it absolutely is (um, the main character is named Grey -- duh, the author is pointing directly at Freddie Gray), but the cops are drawn with such a broad stroke that they seem about as dimensional as the mustachioed villain of a 1920s melodrama.  Grey, who is a bright young man and stellar student, doesn't seem to be the sharpest tool in the box.  He is actually surprised when the cops show up at his school and ID him, despite the fact that his image is all over YouTube.  But the cops don't actually ID him -- they know his alias and what school he goes to but can't seem to figure out his real name or address.  It is one of several places in the book where Gattis relies on the letter of the law (schools can't give out student info to police without a warrant) but is ignorant of the reality.  If a cop shows up on campus and points at a kid and asks what his name is, a student, teacher or administrator is going to tell him the kid's name.  It creates an artificiality to the novel which doesn't need to be there.  There are powerful story-lines to explore but Gattis gets caught up in driving the tale to a specific end which feels more contrived than real.  Grey himself has many issues -- the loss of his siblings, his mother, his father's guilt, his own multiracial heritage and how that makes him feel separate from everyone.  These issues are all touched on but not really addressed in depth.  Instead, we watch Grey spiral down into bigger, more dangerous stunts until he literally risks his life.  At this point, I'm thinking I'm getting too old to be reading YA novels anymore.  Grey is acting like almost every 17 year old boy.  Instead of dealing with his feelings, understanding the repercussions of his actions, he acts on impulse and in the moment.  I found myself agreeing with his Aunt Blue's point of view more than Grey's insistence on "freedom" which seemed like a juvenile version of "I can do whatever I want and screw the laws and the cops and everyone".  I might have been able to live with it if he grew up a little and learned from his experiences at the end but the resolution (which is somewhat vague) seems to be dropping out of school, living on the run and continuing his illegal, dangerous exploits.  The novel gets snaps for heart (Aunt Blue states, several times, that she can love the kid without loving his choices) and most teens will revel in the anarchist message but I just kept wishing the guy would wear a helmet.  Oh well.