This streaming series wasn’t instant love. In the first two episodes Anne drove me more
than a little crazy. She’s emotional,
damaged, over-the-top, insecure, obnoxious, doesn’t listen, she’s righteous, is
self-obsessed … basically your typical teen.
But I recognized myself in her.
The girl who can’t trust that she is loved, the girl who is accused of
being overly dramatic because she uses her fantastical imagination to survive
difficult times. Maybe I didn’t like
seeing so much of myself. I hung in
there. In successive episodes Anne tones
down, just a bit. She continues to make
big mistakes, huge mistakes, but she grows from each one of them. Her circle grows and begins to include people
who question their position in life, often because of Anne’s presence in their
world. On a remote Canadian island in
the 19th century you have women who resist becoming wives and wives
only, a privileged young man who comes to see a black man as his brother, and
lots (and lots) of gay stuff. I was
shocked. This wasn’t bucolic, it was
churning, with seething frustrations and struggles in the face of tradition and
repression. And it is SO gay. I mean, if someone had told me that I
probably would have read the books!
But seriously, I loved the series more and more with every
passing episode and managed to binge it all in under two weeks. Every single character, every one, has depths
and dimensions you don’t see coming. It’s
really quite well-done. And the shots of
Newfoundland, often in the winter, are breathtaking. Brava, Anne!
To the rebel in all of us.
No comments:
Post a Comment