"The Outward Mindset: Seeing Beyond Ourselves" by The Arbinger Institute

One of three books focused on the workplace and human interactions, this is the second I have read ("The Anatomy of Peace" was the first).  While it didn't have the emotional impact of "The Anatomy of Peace" I liked this work somewhat better in that the stories were real.  The artificiality of the previous book allowed me to distance somewhat.  In this one, which opens with a powerful story of the actions of a member of a SWAT team, I found myself drawn in more to the complexities of how we function at work and how we see others around us.  Like the other book the prose is clean, clear and to the point.  It makes for a fast read and there are multiple takeaways.  I like the authors' efforts to drill down.  While the presented graphics are very simplistic the writers make sure not to stop at the first point but to continue unpeeling layers.  At the end the wrap-up goes on for several chapters (perhaps more than is needed) but the book is hugely palatable and quite accessible.  Very much worth the effort for anyone dealing with the day-to-day challenges of working in a large organization.

"The Great American Whatever" by Tim Federle

I thoroughly enjoyed "Better Nate Than Ever" and didn't connect it to the same author (that was an upper Elem/Middle School title) as I began reading this book, which is distinctly high school and up.  This one is more personal than the Nate series, and it shows.  Mr. Federle's evident passion, fully-fledged characters and powerful "inner voice" saves this jumble of a story.  It's not bad, it's just not "smooth".  Written almost as a stream of consciousness, there is a jumpiness about the narrative and many elements (many many elements) do not connect.  In the end, our protagonist Quinn has had some huge life moments but there is not a sense of what happens next.  At some points, sentences aren't actually sentences.  Take this example:  "And just when that's the saddest little memory -- because all of the saddest memories are the small ones that creep up on you quiet and scary as a summer bug -- Geoff does a cannon ball right beside Carly, and soaks her, and we all laugh and shriek."  It made for choppy, slow reading for me.  I connected because the characters are so real they leap off the page.  No single character is two-dimensional and every person in the book has layers upon layers, more than you really get to see as a reader.  Teens will identify with Quinn's burgeoning sexuality and everyone will understand the deepness of his grief over a family loss.  Federle doesn't spare here and delves into this pain from page one right through to the end.  What could be a moralistic tale to teens about texting while driving becomes a complex story of loss, pain, growing up and moving on.  The novel is a mish mash but it is human, which makes it work.  (Picky note -- Pittsburgh isn't in the Midwest.  Not even close.)