"The Thing About Jellyfish" by Ali Benjamin

When I was in the 5th grade, the most popular girl in school died in a car accident.  While it was not my first experience with death, it was the first time I had experienced that sudden, unexpected, out of the natural order kind of loss.  It changed my life.  A phrase I've heard a good bit lately is "she gets it".  What people mean when they say this is that someone understands a thing on a deep, complex level.  They understand it fully.  They "Grok" it, for all you SciFi fans out there.  In the case of this book, Ali Benjamin "gets it."  She understands grief, and Middle School, and the autism spectrum disorder.  The main character, Suzy, is so dimensional and fully drawn that she seems to leap off the page.  The story is sad, but not too sad, and the writing is exquisite and gentle.  We careen between Suzy's mind, seeing a vibrant "inner life" and flashbacks in 2nd person.  The use of this rarely-used style makes the tale more personal, and even more powerful.  The progression is meaningful, the story lovely, and overall it is very easy to see how this enchanting, engaging novel made it to the finalist round for the National Book Award.  Brava to Ms. Benjamin on a first novel that "touched my heart."

"Echo" by Pam Munoz Ryan

A boy in 19th century Bavaria stumbles upon a fairy tale while lost in the forest.  In 1933, a young German boy's father struggles to hide his anti-Hitler sentiments as his unique son fights the rising tide of hatred.  In 1935, a pair of orphaned brothers work to stay together as they seek a home beyond a brutal orphanage in Pennsylvania.  In 1942, an American-born Mexican girl deals with a sudden move from Fresno to Southern California, her older brother leaving their family to serve in the war, and the racism surrounding her.  These stories are woven together like the music which prefaces each section.

This startlingly beautiful, powerful book represents the growing talents of Ms. Ryan, whose lyricism and brilliance really began to shine through with The Dreamer.  Clever, complex, and with unexpected plot turns, the story pulls on threads of very different types to create something that is new in many ways.  Critics who have called the resolution "pat" or unrealistic miss the point -- that there is a connection between people similar to the way disparate notes in a song can talk to each other.  In my humble opinion, this was a worthy novel of the Newbery Honor it received.  While long and not particularly fast-paced, it was a page-turner because the story-telling is rich, the characters compelling and well-drawn, and the "beats" of the story echo humanity.  Hence the title?  A delightful read.  Enjoy.

"Between the Devil and the Deep Blue Sea" by April Genevieve Tucholke

This was one of those out-of-the-blue picks, where I knew absolutely nothing about the book, which can be fun.  To be honest, I began reading it with kind of a "huh?" sense -- was this Gothic Romance, Horror, or something else?  Turns out it's Gothic Horror, kind of, and another one of those "on one hand, on the other hand" books.  On one hand, it's decently written.  Take this phrase, "Dawn was taking off its clothes, kicking up its pinks and purples on the horizon."  Most of the book isn't that lyric, but there is a flow to the text.  There is enough detail to "see" things and a nice tension/sense of creepiness throughout.  On the other hand, the description gets wieldy after a while -- every meal and every bit of clothing is described in great detail.  The allusions to "Wuthering Heights" and other literary influences isn't subtle, either.  They get referred to ... a lot.  In my mind, these references and the detail drags down the narrative.  I kept asking myself, "Do I need to know this in order for the story to be told?"  The answer, in most cases, is "no."  My biggest issue was with the arch of the book.  It builds well with a very good sense of anticipation, and the denoument also has nice rhythms and a poetry of a kind.  It was the actual peak of the action I didn't like.  The book goes from being somewhat PG (Violet gets naked with a boy but nothing really happens and the worst four letter word is "Da**") to being seriously R in the turn of a page.  There is blood, and more blood, and lots more blood, and an implied rape or two and then everything kind of goes back onto an even keel.  For me, the tone of the peak action didn't match the tone of the rest of the book.  Like a bad mystery, a critical element was left out, barely hinted at along the way, and then introduced at the important moment for no other reason than to spur a sequel.  There is also bad-boy lust, but when the bad boy is a serial killer, I started disliking our heroine. Ironically, a new TV show, "Lucifer" has similar characters, but, IMHO, they do it better.  Finally, on a minor point, another issue I had were the missing parents.  I know it's very YA to have MIA parents, but in this case, given some of the things that happen, you really have to push that "willing sense of disbelief" to its farthest edge.  In any case, this started out as a good book for those who like to be chilled without the gore, but then there is gore, so I really don't know what to say about it.  Happy reading ?!?!