"Bats at the Library" by Brian Lies

In a follow-up to "Bats at the Beach," Brian Lies creates another rich picture book about the adventures of those (somewhat less than) adorable and very curious bats. Told in rhymed couplets, the vocabulary is complex enough that the book could be enjoyed by some older readers. It definitely has enough levels to be read again and again -- a major plus when purchasing a picture book. The drawing is detailed and three dimensional. Feeling like collage at some points (it isn't) the images seem like you could reach into them. With a love of all things library, the bats explore every inch and corner of this unusual playground. When they fall into the stories themselves, readers will recognize iconic literary characters re-imagined as bats. This is a great series of books to get younger ones interested in bats. Getting past the rat-like similarities, they are fascinating creatures. And the book is, in a word, delightful.

"Warp Speed" by Lisa Yee

The thing is -- I should have loved this book. A companion novel to "Stanford Wong Flunks Big Time," this is the story of Marley Sandelski's 7th grade year. Marley is an A/V geek who translates everything in his life into Star Trek terms. His best friend Ramen loves Star Wars and their new friend Max loves Batman. This ~was~ my life. I was a Star Trek geek and my friends loved Star Wars and Batman, etc. so when Marley makes a reference to TOS ep 51, I **totally** know what he means. And yet. The book, a very middle school, very typical pre-teen book, just didn't grab me. The characters go through the average trials and tribulations, but the writing just seemed kind of surface -- skimming things instead of looking with any depth. For a fairly tame storyline, there is vicious violence in a couple of places and it is just put out there then things move on. The 61 chapters in 310 pages means a lot of breezing through moments rather than living them. I also wasn't wild about the author's voice, which comes off a little more obvious than intended given the first person narrative. While Marley feels authentic, this seems a lot more like a story told by an adult about a kid than a story told by a kid. There are light touches of moralism here and there ("it's okay to be a geek but it doesn't hurt to clean yourself up" and "you need to stand up to bullies") which give things a stilted "too perfect" feel. Marley's parents are interesting but other adults are stereotypes, particularly the school principal, who is one step to the right of a cartoon villain. When Yee goes for it, the descriptions are great (i.e. "The tragic tree") but the initial setup was murky. Took me a long time to realize this was Los Angeles? I think perhaps there was a sense that the reader could jump in if they had read "Stanford Wong" but since I hadn't, I was fairly lost. The negativism aside, I do think kids would enjoy this book (assuming they can suss out the difference between Kirk and Picard) but to me, it felt more like adult reminiscence than real life.

"The Night Bookmobile" by Audrey Niffenegger

What begins as a gentle, sweet homage to readers becomes a dark and bizarre graphic novel that works as a far-out, trippy tale of "too much love." Audrey Niffenegger, author of "The Time Traveler's Wife" tells a pseudo-biographical tale of her life -- wandering the streets of Chicago after a fight with her boyfriend. She comes across a Winnebago filled with books. The books, she realizes, are a rather "unusual" collection. She reawakens her love of reading and becomes somewhat obsessive about devouring books. Nine years later, she encounters the library again, and again, this creates a new path in her life. After a third visit, she ... well, I won't give it away, but it was a moment of "WTF?" as I read it. After that, there is a bit of meandering about paths and seeking bliss and I'm not sure what. A twisted tale, to say the least. The afterwards are worth reading as they give this strange book some context. Read if you dare.

"Naked Heat" by Richard Castle

Yes, the second book is just as deliciously good as the first, although slightly hotter. Once again, we meet the alter-egos from ABC's "Castle" TV series in a hard-boiled detective novel with enough twists and turns to make your head spin. Things are not easy for NYC Detective Nikki Heat as she attempts to wade through the usual suspects to determine who killed a famous gossip columnist in a particularly gruesome fashion. Line up a coyote, a limo driver, a concierge, a rock star, a baseball player, a "working girl", an actor or two and a bunch of lawyers and handlers and you have more suspects than you can shake a stick at. Like the first book, this one adheres closely to the TV show and maintains the fiction regarding authorship (although I still believe it was penned by Cannell). I did find it a little harder to keep track of the storyline in this book than in the first, but that may have been a result of having to read it in small chunks rather than curling up on the couch over the weekend (which is really the best way to read these). The third title and the Derek Storm graphic novel are on the way, so I look forward to savoring them soon.

"The Accidental Genuis of Weasel High" by Rick Detorie

In the same vein as the Wimpy Kid books or Sherman Alexie's "The Absolutely True Diary of a Part-Time Indian" this novel chronicles Rick Detorie's 9th grade year in prose and cartoons. His English teacher has given the class an assignment -- keep a journal. They can write anything they want, but they need to write. The student with the most interesting journal gets an "A." Guess who won? What follows is Mr. Detorie's take on his first year of high school. Like so many books for teens, we discover that 14 is a difficult age, but the plethora of observances made by the young Rick lightens the tone by being both touching and laugh-out-loud funny. Failed attempts at getting girlfriends, an evil older sister, wanting a camcorder he can't afford and making connections at his first job are just some of the great stories you'll find here. The style is engaging and the writing very very real. Rick reminds me of kids I know, and like. He's just a regular teen trying to figure it all out, and he makes some fascinating discoveries along the way. A fast read with broad appeal, this one is a definite keeper.

"Ten Miles Past Normal" by Frances Dowell

Albeit the typical teen drama (9th grade girl tries to adapt to the social mores of high school with impressive failure) this nice little novel manages to be fun and sweet. The lead character, Janie, has a clean, real voice and is clearly living with some frustration but doesn't come off as whiny. The characters around her are fleshed-out and layered. Everyone from parents to friends have different sides, which helps to weave a story that is sometimes unexpected. The plot elements of an English report and joining a club are secondary to Janie's internal quest to find a role for herself as friends drift apart and her farm background separates her socially from her suburbanite peers. Nothing is overly stressed. The cute guy who might not be what he appears is dealt with in under two chapters, the latest adventure of mom becomes a quick anecdote. In many ways, this book reminded me of Stephanie Tolan's "Surviving the Applewhites," another book that is an enjoyable read with few major events to drive the plot. It also has the gentle style of Dana Reinhardt's "A Brief Chapter of My Impossible Life." As you might expect, Janie craves to be a "normal" teen, but has a difficult time determining what that is, exactly, and ends up creating her own definition of what is important. It's a solid book that should have broad appeal. Once again, my only complaint is cover art, which gives away a major plot point that should have been revealed in the story rather than on the cover. It's an engaging photo, though, and likely to get some kids to pick it up who might not otherwise.

"The False Princess" by Eilis O'Neal

Once again, I was deceived by a cover and a preconception that I knew what this book was about. Expecting something fluffy, like Gail Carson Levine's "Ella Enchanted" or the unending Princess books by Meg Cabot, I instead found a rich fantasy novel more in the style of Kristin Cashore's "Graceling." It is a novel more dense than it appears. In the book, Princess Nalia discovers a truth she doesn't expect then travels through a series of trials, and lives, to figure out who she is and where she belongs. There is, of course, the big bad, but very little true evil. No character is simple -- each brings subtle layers of humanity to this complex tale. There is magic, but the story also has a fairly specific medieval setting. Despite the imaginary nations there is, at one point, a specific year listed (1176?) Even with the extremely minor mistake of referring to the King and Queen as "highness" (it should have been "Majesty") this could be a historical novel if you took out the fantastical elements. It was a rich read and a tremendously satisfying (if not slightly predictable) ending. Much to my delight, it does seem to be a stand-alone. Not that I don't love a good series, but it seems everything these days is in multiple parts. It was nice to commit to a single book and not worry about having the time to read all the books that follow. No question, this type of novel, which allows you to escape into another world and travel along with the adventures, is my most favorite.

"Airborne" by Kenneth Oppel

I recently saw Kenneth Oppel speak. I had just finished “Half-Brother” but was eager to read “Airborn,” his big-hit award winner, which was a fantasy. After reading a good deal of historical and realistic fiction, it was long past time to enjoy my favorite genre. I could not have been more pleased. This rollicking adventure set in a steam-punk style alternative Earth is hugely engaging due to “Matt Cruse” – his 15 year-old protagonist, a ship’s boy so real, with dreams so large, that you can’t help but feel a connection. Matt is a cabin boy on the Aurora, one of thousands of airships which cross the world in place of airplanes. We meet him in his favorite spot – the crow’s nest of his mighty vessel, staring into the dark of a wide sky. The adventures build quickly and may seem eventually seem improbable, but Matt’s pure heart and his newfound attraction for the plucky Miss Kate deVries make this a fun tale. It’s sentimental without the sap, solid literary writing that is accessible. There are shipwrecks and pirates and the discovery of … well, something quite special. There’s even a loss I didn’t expect, but one that makes Matt’s quest for a better life all that more poignant. Nothing is black and white here, more sepia-toned with shades upon shades. The book is long, but the pacing good. I had no problems careening through to see “what would happen next.” In all, it was one of the most satisfying books I have read in a while. Perfect to curl up on the couch with over a cold, rainy weekend. People often talk about books being like food – this one was like a seven course meal. It truly took me out of myself and into a rich world of the author’s design.

"The Rock and the River" by Kekla Magoon

There was something in the timing of this book. I had just attended the dedication of the Martin Luther King, Jr. memorial and had been thinking a lot about how it must have felt to grow up as a child of the famous preacher (two of his children spoke at the ceremony). Not three days later, I picked up this book to read for an upcoming conference. It is the story of Sam and his brother, Steven ("Stick") who are the sons of a famous (but fictional) civil rights leader in Chicago. It is 1968 and while their father preaches nonviolence, both boys struggle with questions about the right path to follow, particularly as the Black Panther Party grows in strength and numbers in their inner city neighborhood. Unlike "Patterson Heights" the cover art is accurate. Sam is 13 and the image on the book looks like a 13 year-old. For the most part, Sam acts 13, struggling to find the right words to say to a cute girl he likes and idolizing his older brother. Unfortunately, this first novel for the young author Kekla Magoon is a tad inconsistent in "voice." When bad things happen, and they did in this period of history, Sam pops out of being a kid to being a mouthpiece for Magoon's literary skills. Take this passage, "On the left wall, surrounding the windows, hung a huge curtain of African-print cloth. Deep blue swirled among lighter shades, like ocean draped in sky. The room had a voice of its own, a scream of outrage, a whisper of truth, and in the corner, a murmuring cry." It's beautiful, even prophetic, but it isn't consistent with the thoughts of your average 13 year old. There are many ways this could have been addressed -- Sam could have been made older, or the narrative could have been third person instead of first person, giving the opportunity for a meta-voice behind the story. Ms. Magoon could have split the narrative between Sam and his older brother, a popular trend these days, to give a variety of perspectives. As it is, the novel didn't really work for me. I didn't feel the book was bad but it was distracting. Every time the narrative began to wax poetic I felt a disconnect from the character. The end result is that this book came off more as one of those 1970 message novels than a compelling story. "The Rock and the River" is a parable -- one that gets repeated in some form three times in the book. On one hand, it's like we are being beaten over the head "This is the MORAL," but on the other hand, the full parable is never explained (nor could I find it on Google) so it was frustrating on multiple levels. My general "ehh" feeling on the book is a rarity. It has won numerous awards and is considered a notable title. So give it a shot, particularly if you don't get stuck on little minutiae like me.

"Ghosts of War: The True Story of a 19 Year-Old GI"

This is not an anti-war book. It is not a pro-war book. It is not a policy essay nor a social commentary. It is the story of a young man who loses his innocence -- and loses it in a far more profound way than most. Ryan Smithson was a high school student who joined the military after watching the twin towers fall. At 19 he was sent to Iraq. This is a nonfiction account of his 12 months there. Told in short vignettes, the story is dry and to the point. He doesn't load in sentimentality or opinion, just tells tale after tale of the boring days, the hard days, the scary days. There are laughs along the way, and a lot of detail on what a soldier might do other than "capture cities." Ryan is an equipment operator who helps to pave roads, fix bridges, shore up barriers. In his words, there is nothing glamorous about the work, nothing that will get him and his fellow brothers-in-arms on the news, but their efforts are vital to the day-to-day operations in the war zone. The matter-of-fact style of the book actually makes it more powerful. It's clear from the beginning that Ryan's stoic narrative is about his need to distance himself emotionally from the events surrounding him. When he finally does have to face the struggles he experienced, I cried with him. Specialist Smithson did not write this book to make a statement, he wrote it as catharsis. It is powerful, well-crafted and may be a good insight into how the soldiers on the ground are coping with the war that will not end. Ryan is not making a political statement, he is making a personal one. The choice to serve was personal, the experiences were indelible, and he should be thanked for working so hard not only to share this part of his life, but to help the reader truly understand. Stunningly good and worth the read. Bravo, sir.

"Patterson Heights" by Felicia Pride

Avery Washington is a good kid. Living in Baltimore's inner city, he is part of a gifted program at school, goes to church on Sundays, idolizes his older brother, Rashid, and has two parents who have scraped and saved to start a college fund for the boys. Avery's life changes in an instant, when his brother is killed by a senseless act. It is a story oft-told about young black men in the city, and we rarely get an inside look into the realities of what life is like in the months following such an event. Echoing both "Speak" by Laurie Halse Anderson and "The Year Without Michael" by Susan Beth Pfeffer, the grief here is palpable. Avery goes silent. Unable to speak through his sadness, his thoughts and insights border on the poetic. His strong family falls apart and he finds himself living like a shadow in a small apartment with a mother and father who are as distant as strangers. While he doesn't realize it initially, he is lucky. People come into his life who end up being different kinds of supports at this difficult time. The writing is strong and the character compelling. You truly want Avery to find his way back from the gloom. However ... this is a very different world, complete with a different vocabulary. In many books of this kind, the author tries to give the reader context to understand what they are reading. In Walter Dean Myer's "145th Street," for example, the language is true to the setting, but he creates narrators or contexts that allow the reader to enter into that world. That is not the case here. In many ways, it feels like this book, part of the "Kimani Tru" series, is written solely for inner city kids. I'm not sure how I feel about that. I mean, last month I read about a teenage girl who discovers, in Nigeria, that she is part of the "Leopard People." It was a completely alien civilization, but the author provided enough context for me to get it. Here was a story about good old America, and yet, I felt that some of the language and sociology being portrayed was shutting me out, that I was unwelcome as a reader because I didn't fit the demographics the series shoots for. This, of course, is my take. It would be interesting to see if my students feel the same. My only other beef is with the cover art, which makes Avery look like some hot 20 something, instead of the slightly geeky 15 year-old he actually is. Never a fan of misleading folks with cover art. Despite the complaints, the story is compelling and the emotion real. It's worth a read, even if you don't get all the references.

"Yummy: The Last Days of a Southside Shorty" by G. Neri, illustrated by Randy DuBurke

This fast-reading graphic novel tells the story of "Yummy" an eleven year-old boy shot to death in Chicago's ghetto after committing numerous crimes, including murder. The story is told from the perspective of the fictional character, Roger, a neighborhood boy trying to resolve the unsolvable ... was Yummy a victim or a predator? The book has garnered numerous awards and is a nice, succinct retelling of a short life, but it doesn't stray much from the source material, namely the news reports that swirled around the 'hood in those final days. It is almost factual in the dispassionate presentation, although the black and white ink drawings manage to convey some of the emotions pouring out of the community. The drawings are both good -- they use close-ups with detailed hatching for emphasis; and bad -- both Yummy and his grandmother are drawn inconsistently, giving me double-takes from time to time as to who the character was. One thing that nagged at me was why our narrator, Roger, would have a brother in the same gang as Yummy when his home life seemed quite stable. I couldn't help but feel it was an artificial device used to make a point. Other than that, the subject matter was terrific, the story-telling clean, but the overall effect for me was "okay."

"Half Brother" by Kenneth Oppel

It's 1973 and Ben Tomlin is not a happy camper. His parents just made him leave the bustle of Toronto to live in a farmhouse in Victoria, and now his mother comes home with a new baby brother. He has to make new friends, figure out how to get a girl to like him and his parents seem to forget his 13th birthday. The twist is -- the new baby brother isn't human, he's a chimp. Ben's parents are researchers and they are attempting to teach his brother, "Zan" sign language. A fictional tale that draws heavily on an actual experiment ("The Chimp That Learned Sign Language" http://www.npr.org/2008/05/28/90516132/the-chimp-that-learned-sign-language) this is a story that is engaging and warm. Ben is a normal kid, going through typical teen trauma -- the bully kid, the girl he likes who may or may not like him, a father who can't connect. But Ben is more than that, he is a young boy bonding with a "younger brother" who is unique. Early on, I saw the inevitable issues arise. Somewhat more intense than your average Lassie story, this one goes down the path you might expect, and breaks your heart along the way. Through the last third of the book, it was kleenex central. You can't help but come to love Ben and Zan, and realize that there really is no place for them to "be" as a family. Minor complaints about a lack of editing (Ben's reactions to stress become repetitive and make him occasionally feel a little whiney) and no author's note (given that this is a barely fictionalized account of a real event, details on the actual experiment should have been provided) are not enough to ruin an otherwise excellent tale that should have broad appeal. Despite the historical setting, the characters come off as contemporary and real, young people that most teens could relate to. The book also provides an excellent discussion point -- was this experiment ethical? Are any animal experiments of this type worth it?

"Hate List" by Jennifer Brown

The really good authors excel at "what if?" What if a teenage girl, used to being bullied, turned to a boyfriend for solace, and the two of them created a list of all the people they wished would "go away?" What if the boyfriend shows up at school one day and began killing all of those on the "hate list?" What if the girl lived? Then what? Much like the Walter Dean Myers book "Monster," this novel explores a horrific act from the viewpoint of someone at the center of the storm. Valerie is a girl in crisis. She doesn't know who she is and desperately needs to understand whether she is hero or villain. The solid writing doesn't answer these questions directly, but lets the tale spin out as it should, leaving the reader to interpret and, perhaps, judge. Told in brutal detail, if this were a movie it would be filmed nearly entirely in close-up. Broken into four parts, the story swings from one time period to another in the initial part, mirroring Valerie's state of mind as she attempts to comprehend events that seem almost surreal. As she gains clarity, the timeline locks into the present. Newspaper clippings reflect a societal viewpoint, while teardrops of varying degrees of darkness open each chapter. The book ends as it should, with only one small sentence jumping out at me as being overly optimistic. It is an excellent novel, and one that will be talked about ... but it was terrifically hard to read. Much like "Lovely Bones" this is not a title I would have selected for myself, but one I read in anticipation of attending a book discussion. Emotionally, it left me totally wrecked. Maybe, as an educator, it was too painful to think about. Maybe, as a person who could see where Valerie was coming from, it was too close to home. There are bright spots in the fog of Valerie's life, but not many. Needless to say, I will be choosing to follow up with something that doesn't leave me with bad dreams. This is a great read, it's just not particularly fun. Brava to Ms. Brown, a young woman who created a stunning debut novel.

"Marcelo in the Real World" by Francisco X. Stork

"Be in the world but not of the world." A biblical quote with tremendous meaning and weight in regard to this book, Mr. Stork has provided us with another story of Asperger's Syndrome. Like "Mockingbird" and "The Curious Incident of the Dog in the Night-time" this tale gives the reader a very up-close look into the mind of someone who sees the world through a different lens. Unlike those other novels, this one has a lighter tone, and is more about day-to-day living than any specific tragedy (although there is a mystery of sorts). Marcelo is a 17 year-old who takes us into his reflections in a roundabout way, often using a third person narrative to describe his life. His "special interest" is religion, and religious themes play a nice counterpoint to the ideas and concepts addressed as Marcelo attempts to navigate a new path. Marcelo is very real and very compelling. It didn't take long to care about a young man who honestly wants to do the right thing. In the end, it was a book I stayed up late at night to finish because I simply had to see how things would turn out for him. The novel was another winner of the Schneider Family Award, given to books which detail those living with the disability experience. Marcelo would want me to say that a) he is not disabled and b) he does not have Asperger's, he has an undiagnosed condition that most closely resembles Asperger's. Marcelo is nothing if not specific. The book is a lovely story of discovering the wider world and of gaining insight along the way. It is easy to see why it has been given honors and awards. Take this journey with Marcelo.

"Folly" by Marthe Jocelyn

This tale of Victorian England tells the story through multiple voices and years. With echoes of Oliver Twist, we hear from Mary, a simple country girl done wrong; James Nelligan, a fostered waif; Eliza, a a jealous scullery maid; and Oliver, a history teacher with a past. Not nearly as dark or lengthy as your average Dickensonian tome, it still manages to portray the time in realistic terms that show the often insurmountable challenges faced by those on the lower echelon of society. It has sad parts, but it isn't depressing. Mary's voice, in particular, is written in a plaintive, ironic, simple way using vernacular of the period. The "big secret" of the story is one I guessed early on, and while the ending may not be Disney, it isn't bleak. I could wax on, but that would be a disservice to a nice little novel that made for an enjoyable read. Short and to the point, my sense is that it would have wide appeal if you could actually get kids to read historical fiction. While the book is not romance, there is a storyline involving pre-marital sex. It is plainly stated but but not over the top. This element may make the book a better read for somewhat older students.

"The Devil's Paintbox" by Victoria McKernan

An excellent historical fiction novel, this tells the tale of Aiden Lynch, a young boy whose life is destroyed by the chaos of the Civil War who joins a wagon train west. Along with his sister, they experience eye-opening adventures and heartbreak along the Oregon Trail. As usual, the cover art is deceiving. As the book begins, Aiden is "almost 16." The young man on the cover looks more like a person in his late 20s. At times, the writing seems a tad heavy-handed and events forced a bit, but then you remember that in this place, in this time, life was larger and childhood was much more brief. Without doubt, this is not "Little House on the Prairie." In the end, I was won over by an authenticity in the details. The third person narrative and clear research by the author makes it feel like real history, even if all of these things may not have necessarily happened to one person. It is not a happy tale, although bits of light do pierce the darkness. Much like an Irishman, the reader must accept that with every good thing that happens, tragedy is likely to follow. You do begin to feel for Aiden, who doesn't recognize his own will of iron, but wonder if true happiness will ever touch his life. As usual, I do have one small complaint -- in this case, the title. "The Devil's Paintbox" refers to smallpox, and while it does weave in and out of the story, I'm not sure I would title the book in this way. It makes it seem as if this is a story about smallpox. It's really not. Admittedly, "The Devil's Paintbox" is a far more interesting title than "Aiden's Journey" or something more on point, but it's not particularly accurate. The book is a coming-of-age story, a travelogue, but not a story about a disease. It's not even a drama, strictly speaking, as there are multiple climaxes and no specific denouement. The tale meanders more than it directs, with distinct peaks at the middle of the book, another about two thirds of the way in, and one at the end. One event doesn't lead to another, they simply open the storyline to a "new chapter" as it were. In this way, the book feels real, it simply is a slice of life rather than a moral all neatly wrapped up. I liked the book, and feel that it could raise interest in this part of American history for the readers (a nice bibliography is offered at the end). I also like the strong male protagonist, feeling that it gives the book a wide appeal. With historical fiction not moving much these days, it is worth marketing.

“Miles from Ordinary” by Carol Lynch Williams

This slim novel won the Schneider Family award last year for best book about the disability experience. As usual, I had meant to read it, but it took a while to work my way through the list. The action of the book takes place in a single day and very much in the mind of our protagonist, Lacey. The activities of her life lead to a constant stream of flash-backs as she works through the challenges of being a child with a mentally ill mother. Her internal self-talk is a steady back-and-forth between the normal wishes of a young teen, and the challenging, almost impossible demands of being a child looking after an adult. Even when Lacey is around others, she is alone, feeling isolated in a prison of her mother’s delusions. It is well-written but a painful read. I could identify with Lacey’s isolation, the craving for normalcy (a better title would have been “Miles from Normal” but that probably didn’t scan as well) and the panicky feeling of being overwhelmed at her own inability to make things right. Lacey is fourteen. This is the fourth book I’ve read in the last month with a 14 year-old protagonist. Must be something about being fourteen. Lacey has to act in ways far superior to her chronological age, but at the same time, she is a scared young girl who cannot fully appreciate the circumstances surrounding her life. Despite its short length, the dizzying emotional swings and floating time focus make this a book for more mature readers. Lacey’s mother is supposedly a severe depressive, but she comes off more like a schizophrenic. The achingly slow climax, building throughout most of the book, is truly frightening and disturbing. The wish for a peaceful resolution is left to the reader’s imagination as the denouement is left fairly open. It is not an easy book to read. It is not a happy book. But it is a powerful one, and deserves the accolades it has received.

“Akata Witch” by Nnedi Okorafor

I seem to be in this place where I’m judging books by their cover. Definitely not a good call for a librarian. First, I mistake “Okay for Now” as a contemporary middle school humor novel (when it is actually a high school historical fiction coming-of-age book) and with this novel, I assumed some sort of Asian mythology. Had I looked more carefully at the cover or known the origin of the word “Akata” I would have known better. This fast-reading story is about a 14 year-old named Sunny who is an albino Nigerian girl born in the U.S. and now returned to her home country. Sunny feels a little lost – in part because of her looks, and in part because of a vision she has which presages very dark things to come. We quickly discover that Sunny is not like other people, and her differences have little to do with her skin pigmentation. One of the “Leopard Folk,” she discovers a hidden heritage and magical abilities she could only imagine in the opening pages of the book. It’s a fun tale of young teens on one of those epic journeys to stop the “big bad” and it is enlightening in terms of seeing a country I knew little about in very different ways. Despite the inevitable Harry Potter comparisons (isn’t that the case with everything these days?) it is not derivative. Any complaints I have are minor. There are some editing issues – Sunny apparently returned to Nigeria at age 9 but has been best friends with Orlu since they were five. It’s minor, but issues like these are distracting to me and should have been caught before publication. The other complaint isn’t really a complaint, but an oddness. The real story is about Sunny’s journey to self-actualization rather than the "let's get the bad guy" focus. The dramatic climax, including the epic battle, is only a few pages long. It’s almost as if this part of the tale is secondary to the character growth and relationships that occur. I don’t mind, it’s just not typical. While I enjoyed the story, I couldn’t help wondering when they were going to get to the inevitable conflict. It will be interesting to see how teen readers react to this style, as it is so different from your standard YA novel of this type. Overall, I enjoyed the book a good deal. I hope others will, too.

Two Books

Two books, one review. I read them back-to-back and was surprised at both their symmetry and similarities. Both have 14 year-old male protagonists who have talents they haven't begun to explore. Both boys begin their summers by travelling away from the city to pastoral climes. Both books succeed at discovering very real voices in the first person narratives of these young men, and the subtle humor in their observations of the world. Both are bildungsroman, my favorite $1 word, describing a coming of age novel. Both have a unique concept that ties the story together in a strong, literary way. And both are written by award-winning writers whose work I had read before. "Okay for Now" comes from Gary D. Schmidt, who has a stack of notable awards for "Lizzie Bright and the Buckminster Boy" and "The Wednesday Wars." Kathryn Erskine had won the National Book Award with "Mockingbird" last year before she penned "The Absolute Value of Mike."

"The Absolute Value of Mike" uses Mathematical concepts to tell the tale of Mike, a boy with a distant father (possibly with Aspergers) who has to spend the summer with a kooky bunch of friends and relatives in rural Pennsylvania as a town comes together to do the impossible. The Mathematical phrases, and their descriptions, plot Mike's progress as he moves from parallel relationships to intersecting ones. Told with a light, gentle touch, this book is a fast read that makes for a good middle school text. Students who liked "Surviving the Applewhites" and "Operation Yes" will find similarities in the upbeat journey of improbable events. There is even a little of the weirdness you find in "Going Bovine" although this story is pretty much on the wholesome side. At the very least, it will have you looking at homeless people an entirely different way.

"Okay for Now" is much more complex, and more appropriate for high school. Denser with even more layers, the theme here is the work of James Audubon, and the art lessons Doug receives, which show him that balance, tension and depth are life lessons as well as art concepts. The book was hard for me to get into, not because it was bad, but because the cover set me up with different expectations. As a librarian, I should know better than to judge a book by its cover. I thought it was a contemporary humor novel and found a historical book with as much pathos as quiet grins. It took me a couple chapters to adjust. Once I did, however, I could hardly put the book down. Set in 1968, this story picks up the character of Doug from "The Wednesday Wars" and makes him the protagonist (Holling Hoodhood, the lead character in "The Wednesday Wars" makes a brief appearance near the beginning of the book). Doug's family makes a sudden move to upstate NY and, like a fish out of water, the young man tries to navigate a completely different world than the Long Island home he is accustomed to. There is a slow, lyrical quality to the work of Gary Schmidt, but I liked this far more than "Lizzie Bright and the Buckminster Boy." While that historical novel had a compelling tale and was written as if it were a series of artistic frescoes, the characters weren't overly compelling. Here, they jump off the page. I felt as if Doug was sitting next to me telling me his story rather than just reading it. Also, unlike "Lizzie Bright" a tale that was moving towards darkness, this is a journey of a teenager moving into the light. Upbeat despite some overwhelmingly sad layers, it shows how even then, it took a village to raise a child and that the human spirit can succeed where human beings fail. The characters here are not simple. Bad guys surprise you at times, with the one exception I took being a change in a major character near the end. Despite the book's theme of redemption, I felt that the reform of this particular character was too sudden and it felt unrealistic. The rest of the book, however, felt more like autobiography than fiction. Looking at Mr. Schmidt's biography, it is clear that he may have drawn on his own life experiences, which made this book, IMHO, the best that he has written.

Bravo to Mike and Doug, two guys who made sitting down to read a deeply cool experience. Enjoy.

"The Lightning Thief" by Rick Riordan

A young boy in an unhappy home discovers he has “powers.” A series of adventures brings him to a school with others like him, where he befriends an awkward boy and a smart, talented girl. Together, they battle dark forces. No, I'm not talking about “Harry Potter.” While the plotlines are strikingly similar, this book didn't come off as derivative as it sounds. It was a great read with a contemporary feel and I can easily see the popularity. Much like J.K. Rowling, Rick Riordan grounds the mystical elements in very real pre-teens. Humor weaves throughout as Percy, our lead character, maintains his “um, yeah, right” attitude amidst growing improbabilities. The Greek myths are wonderfully integrated, enough to make the most school-resistant kid run flying to Wikipedia to learn more about the Gods. Action is plentiful from chapter to chapter, making the book a page-turner, but it has purpose and direction and character development isn't left behind as the tale progresses. I did find some of it predictable, but that's because I might (?) have a stronger understanding of the context than some of the younger readers (thank you, Hercules & Xena TV shows), but it was enjoyable. I look forward to reading the rest of the series. Yeah, I'm behind the eight-ball. I read slowly and didn't want to take books from this popular series out of the hands of students. My only problem now is how long it's going to take me to get to Riordan's hot new series, “The Kane Chronicles.”

"The Help" by Kathryn Stockett

Finally! An absolutely wonderful book, followed by an equally delightful film. “The Help” by Kathryn Stockett is a well-crafted, page-turning novel. Set in the critical year of 1963 this book tells the story of maids in the deep south and a young white woman who has a lot of growing up to do. Told in three perspectives, chapters flow between the first-person narratives of Aibileen, Minny and Skeeter as they engage in a highly dangerous activity of the time – truth-telling. I grew up in the south in the 60s. While we didn't have maids, the atmosphere of the book resonated with me, much like “The Secret Life of Bees,” a book with a similar historical theme. Like they did in that book, the characters here leap off the pages as people who are complex, engaging and real. The film is marketed as a comedy, and the book does have humor, but it defies a strict description. It is comedy, and tragedy, and history, but at its root, it is the story of people. The human look at our not-too-distant past is a critical element that made the film work as well. Lest we forget, many adult African Americans in this nation had parents who worked as domestics. The impact of that on their lives is still a powerful element the world-view of many. Of the book, I have no complaints. It meanders at times into the trivia of day-to-day living, but this doesn't detract from the story, it simply colors in the lines, making this tale one that feels like nonfiction rather than fiction. At 450 pages, it was a remarkably fast read that I tore through. The film, to the degree possible, stays faithful to the book although many elements are necessarily tightened and abbreviated. There are changes, most of which heighten dramatic tension or clarify moments. My only complaint with the film was the billing – Emma Stone, playing Skeeter, gets top billing. I strongly feel that the top billing should have been Viola Davis, who plays Aibileen. Both the book and the film begin and end with Aibileen's story. While all three women go through a psychological journey of sorts during the book, it is Aibileen, IMHO, who is the “most” transformed. Her voice is the most poignant of the tale and Viola Davis portrayed her with the true dignity and quiet majesty of the character – is it Hollywood racism that prevents her from getting the credit she should? Come award time, we will see. In the meantime, read the book, see the movie and gain a better understanding.

"Young Fredle" by Cynthia Voigt

It's not me, it's you. That's what you say, right? I'm just not in a "great place" right now, so the fact that I haven't enjoyed the books I've read lately is about me, yes? Cynthia Voigt's newest offering made it onto at least two "highly recommended" lists. Booklist liked it, SLJ liked it ... for me, it was the third "ehh" book I've read in the past month or so. Part of the problem is the target audience. The reviewers peg it anywhere from 3rd to 7th grade. At 227 pages with vocabulary words like "foraging" it feels like middle school. The plot, however, is strictly elementary. Young Fredle is, as you would have guessed, a mouse. He makes mistakes, is thrown into unexpected circumstances, has an adventure, and then, out of pluck and determination, makes it home. The character of Fredle is engaging -- the story is boiler-plate. I've heard this before! We all have. There truly wasn't one twist I didn't see coming by the end of the first chapter. There is also a didactic tone. In the midst of a narrative tale, Ms. Voigt feels compelled to put in "facts" about mice. The reader can't just take Fredle's behavior on spec, we must be told that mice "do this or do that." She makes a great deal about the fact that mice don't see color. And then young Fredle notices the green grass, yellow flowers and blue sky. It is an irritating inconsistency. It also harkens back to those young adult "message" books of the 1970s. Fredle learns many wise life lessons along his way, which Cynthia Voigt pounds us over the head with ("THIS IS THE POINT -- GET IT?"). The book is a companion to "Angus & Sadie," a tale of two dogs who live on the same property and appear as sympathetic characters here. I can see this as an excellent read-aloud for a parent of, say, a fourth grader? I'm not counting on it moving much in my school, though. The illustrations are adorable and add to the adorable quality of the entire book. I guess I just wasn't feeling very adorable when I read it. Maybe I've just been away from elementary fiction too long. But this one felt tired to me. Frankly, if you are going for animal tales, try "Tale of Despereaux", "The Rats of Nimh" or one of Brian Jacques' "Redwall" stories. ~~Oh well~~ Maybe next time.

"Jellicoe Road" by Melina Marchetta

Somehow, I missed reading this Printz winner from a few years back. I think it was so popular when it came out that I wasn't able to get a copy to read initially, then I just forgot. Well-written, yes. Layered and unique, yes. Did I like it? No. I think maybe this was just one of those "bad timing" things. Life is busy, I'm a little stressed, and reading this book in small chunks did not work. It is a complex tale -- two stories interweaving, with little context in the beginning for either. One of the tales is deliberately out of order, the other makes sense after a while but the Australian foreignness is yet another hurdle to overcome. I'm not dissing the Aussies. We adore Markus Zusak. And Margo Lanagan, despite the occasional bleak darkness, is pretty engaging. This novel, however, felt distant. Taking place (I gather) at the edge of the outback, there is a constant use of vocabulary and phrasing I had to read twice to fully understand. Add the inter-woven plots that seem to start in the middle and I was literally at chapter 14 before I began to see the arc of the book. Which was frustrating. What should have been a story of love/loss and mystery turned into a tale that was not a page-turner for me. I found the lead character, Taylor, to be nearly as irritating as Bella from "Twilight" and the so-called mystery fairly guessable once I could place the characters and events. The efforts by the author to hide facts were so successful I missed one of the "big reveals" even when it happened. She seemed more concerned with the essence of things than the things themselves. It's possible it is "just Australian." From the first pages, I could sense the cultural elements of Dreamtime and Walkabout having a lot of influence. Not being from that culture, however, I was never sure what was real or what was dreamed (the Australians, of course, would say that Dreamtime is real, just another reality). Could someone who has read the book tell me who the little boy hanging from the tree is? Four hundred pages later and I still don't know. Despite all the different threads, the story also felt contrived. At one point, a disaster-like event seems to occur for no other reason than to move characters to a key clue in the story. I guess, as a reader, I resent having events thrown in at random just to advance the tale the author wants to tell. I've always felt the best authors let the story go where it goes, instead of warping everything around the point they want to make. There is a strong group of readers who adore this book, so I can't say it's bad. It's just not for me.

"Water for Elephants" by Sara Gruen

It's been a strange year. Books I didn't think I would like, I loved, and books I thought I would love, I sort-of liked. Guess which one this was? "Water for Elephants" is a New York Times Bestseller, so hugely popular it was turned into a Hollywood film (coming to a location near you!) It has a lot going for it. The tale is unique and fresh, told extremely well and the world explored is one completely foreign to most of us. I especially enjoyed the back and forth between "then" and "now." Ms. Gruen has an arch, sarcastic sense of humor that made me giggle in several inappropriate places. She seems to have a knack at writing characters she should know nothing about. I kept checking her biography in the back of the book to figure out how a young woman like her could write such a decidedly male-perspective tale, not to mention get into the head of an aging member of a senior citizen's home. In many ways, I thought this was a great novel. And yet. Set in depression-era 1930s, the detail of the story was completely on-point. So much so, that it felt a little like a 1920s era melodrama. The lead character, Jacob, his nurse, Rosemary and his sullen roommate, Walter, all seemed fairly fleshed out. So does the elephant, Rosie. But the object of his affection, Marlena, seemed to be a cardboard cutout. The same applied to her vicious husband, who was only one step away from twirling a mustache. For me, there were too many moments where I felt she was crying "I can't pay the rent" and he shouted back "You must pay the rent!" For this reason, one of the central plot points, the epic love story, just fell flat. It's like my complaint with bad productions of "Othello." You have to buy into the love story for everything else to work. The trappings of the book were fascinating, but the weakness of this element made the whole thing less engaging for me. The story is also brutal (but probably accurate) in the treatment of animals (including those of the human variety). Let's face it, I'm a wuss. Go into detail about some furry thing getting beat, and I just can't take it. The overall tone is incredibly dark, and, near the end, tremendously sad. The actual ending is kind of sweet, but in a "Schindler's List" way -- coming out of the dark to an okay moment. It's a good book, and easy to see why it has received the accolades it has. But not really my cup of tea.

"Name of the Wind" by Patrick Rothfuss

This should not have been a book I liked. Very long, at 722 pages, with painful detail and slow pacing, one might say it is Dickensonian in its scope. I don't like Dickens (the horror! A librarian dislikes Dickens!) but I did like this book. A lot. Recommended to me by a colleague, this felt like a very comfortable return to the kind of fantasy novels I read in my youth. With minimal "magic" there are many sections that could be mistaken for a story set in the middle ages. The tale begins in a tavern; with the familiar hallmarks of working folk, wooden tables, dark corners and a bartender who knows more than you might think. From there, the story meanders along, giving the reader stories within stories to weave a rich tale of heroes. The essence of heroism is one of the central themes here -- what makes a hero heroic, how mythology muddies the nature of a story and how legend changes truth. Some are comparing this book to Tolkien, and while I can see the surface parallels, in many ways this is an anti-Tolkienesque novel. Tolkien is about the journey (a metaphor for his own spiritual journey). Rothfuss is about the individual. The character of Kvothe spends the book describing his journey, but the things that happen along the way are less important than the person being forged out of these events. Rothfuss (or Kvothe) is also clearly not a fan of organized religion, making out the religious leaders to be clueless or corrupt and the faith of these simple folk as silly and pointless. A better comparison would be to the work of Ursula K. LeGuin, who is quoted on both the frontispiece and back of the book. LeGuin was a favorite author of mine for many years, and this writer seems to echo her dark sense of the world and the ongoing battle of our inner demons that was present in her Farthest Shore trilogy. Although nearly nothing happens for the first 50 pages or so (the so-called "First Day" for which the book is subtitled doesn't begin until page 59) I was intrigued and definitely felt the pull of turning the next page, charging on to the next chapter, to see what would happen. It's a credit to Rothfuss, whose writing is so rich, engaging, layered and beautiful that you just feel that you are sitting there in the tavern listening to a tale well-told. The story is downright palpable. Maybe it's the Irish in me, but I truly felt "drawn" to this book. The challenge, however, is that my life doesn't accommodate long books very well these days, and this is the first of a trilogy. Don't know what I will do about that, but I'm dying to read the next book in this Kingkiller Chronicle, entitled "The Wise Man's Fear."

"Heat Wave" by Richard Castle

I liked this book. A lot. Which is a bit of a surprise. Here's the deal: ABC has a top-ten TV show called "Castle." In the show, a popular mystery writer named Richard Castle shadows an NYPD detective for inspiration on his new set of books, focusing on a tough but sexy police officer named Nikki Heat. As part of the hype/tie-in/whatever for the show, ABC has been releasing actual books supposedly written by "Richard Castle." Needless to say, my expectations were low. I greatly enjoy the TV show, but this smelled way too much of marketing with little focus on literary merit, so I held off until ... the book climbed up the New York Times bestseller list. And then people started telling me how good it was. So, I gave it a spin. What a pleasant little gift. The book is well-paced, weaves a decent mystery with "just enough" hard-boiled detective stuff to make it engaging without being cheesy, and sticks enough to the style of the TV show to fulfill the interests of the occasionally rabid fans. A slim book, it took longer to read than I expected. There is depth here, both in the writing and in filling out that which we know about the characters in the show. Like the TV show, there is a satisfying combination of action, suspense, crime-solving, humor, and yes, sex. I'll never know how my familiarity with the TV show impacted on my appreciation of the book, but there was definitely a plus in knowing the characters involved. Not a book for your typical teen, the characters are adults who both act and speak like adults would in this kind of setting. To those of us in the know, the biggest question lies in the identity of the actual author. The bio and picture in the back of the book portray Nathan Fillion, the actor (INCREDIBLY HOT SEXY AWESOME NATHAN WE LOVE YOU) who plays Richard Castle. The dedication, acknowledgments and back-flap bio (mentioned in an episode of the show) are written as if they come from the hand of this fictitious author, full of tongue-in-cheek (winner of the Nom DePlume Society's Tom Straw Award). When pressed, the TV show producers admit that the author of the books "has appeared" on at least one episode of the show. Of course, they take pleasure in having name authors appear on the show as poker buddies of the lead character, so the choices are plentiful. Even money hangs on James Patterson (quoted on the front of the book) and Stephen J. Cannell (quoted on the back of the book). Having read the book, I'm venturing that the real author is Stephen J. Cannell. I've read a number of Patterson books of late and don't see him having the "meat" that is present in these pages. On the other hand, he is a consummate imitator of style, so who knows? I'd like to think the work is Cannell's. I've never read his books, but am a fan of his many TV shows. Stephen J. Cannell, for the uninitiated, was the producer king of TV for many years in the 70s, 80s & 90s. He got his start writing for Adam-12 and ended up creating and producing everything from Rockford Files to A-Team to Silk Stalkings to Renegade and 21 Jump Street. Yes, because of him, we have Johnny Depp. Cannell, who sadly passed away of melanoma last fall, was known as a prolific, fast writer. He was able to churn out consistent, strong scripts with lightening speed and never took himself too seriously. In interviews, he was often quoted as saying that the goal is entertainment, not Shakespeare. He never failed to entertain. A terrific accomplishment for a guy with dyslexia who struggled in school but was determined to be a writer. They have noted his passing on the show with reverence and respect. I could only hope that the publication of this series (two more titles forthcoming) is a final bow to the master. In any case, as if this review weren't long enough already, read the book. And watch the show. Fourteen million or so people have determined it is worth their time -- see if it is worth yours!

“Where the Streets Had a Name” by Randa Abdel-Fattah

The big plus for this middle-school fiction novel is that it covers a subject virtually untouched in YA lit … Palestinian teens. To my knowledge, the only other book that covers this topic is Naomi Shihab Nye’s “Habibi.” Being more contemporary (the story is set in 2004) we get a very detailed look at the challenges of living in a troubled part of the world. The story is that of Hayaat, a thirteen year-old girl living in Bethlehem. In an attempt to ease the unhappiness of her sick grandmother, Hayaat tries to make the six mile journey from Bethlehem to Jerusalem with a daredevil best friend. The obstacles that lay in the path of these two young children are significant, and at times, insurmountable. While I knew of the Israeli occupation, I had little sense of the day-to-day struggles of those who live there. The book was a marvelous insight into a tremendously sad situation. The characters are real and much like Hosseini’s “Kite Runner” I was struck by how very normal teens can be, even in extraordinary circumstances. The story is also fairly upbeat and wholesome, given the darker undertones, and this leads to my chief complaint – an inconsistency in the writing. The characters are supposed to be 13, but often come off as younger. Timelines are frequently skewed, with two weeks turning into a month and an accident that supposedly happened when Hayaat was “small” apparently happened after she was nine (if the sequence of events holds true). These are the kinds of things an editor should have caught, and a big slap on the hands to Scholastic for not cleaning them up before publication. That being said, the descriptions in the story are detailed and occasionally rich, without there being much literary poetry brought to the book. If not for the realistic, contemporary setting, one could easily mistake this for any teen lit “take a journey” novel. It is the kind of book that could end up being used as a class novel. It has many of the elements that make it a good choice: appeal to both boys and girls, the aforementioned “journey” (both physical and psychological), and connection to the Geography curriculum in terms of world conflict and displaced peoples. I do think any young person reading the book would need teacher assistance for context. I am a news-hound, but it still had me running for an atlas and Wikipedia. Arabic phrases are sprinkled throughout and are defined in a detailed glossary. While this is helps, clever ways of making meaning clear in text tends to be more popular. That way, readers don’t have to stop the flow of the story to look things up. I enjoyed the book and felt it flowed well. Hopefully, this story will give students the kind of insight it gave me.

"Witch and Wizard" and "The Gift" by James Patterson

Sometimes, the books recommended to me by students are awesome. Sometimes they are just "okay." The interesting thing about books is that they may, or may not, strike the reader depending on the individual threads each person brings to each book they read. That being said, this is the second James Patterson series I have tried on student recommendation, and the second one I have said "ehh" to. In the new Witch and Wizard series, I have the same issues as I did with the Maximum Ride books. It's not that they are bad. They are fun, action-packed, fast-moving and capture the teenage mindset very well. But both series, IMHO, are somewhat shallow and highly derivative. Did I say derivative? I meant to say "blatant rip-offs." Okay, I know all great authors steal -- Shakespeare did it -- and Patterson makes no apologies for it. In fact, he almost makes fun of the fact that this new series is like some bizarre combination of "Oliver Twist," "1984," "Fahrenheit 451" and a host of other classics ... if they were written in a kind of facile, disinterested way. He employs the same dystopic, alternative future that many YA authors are writing about these days, but his protagonists blithely skim along from one torturous situation to another with little engagement other than "we want to find our parents!" and "hot guy/gal, but I'm busy fighting for my life right now." Despite the trials and tribulations of the characters, I was never able to connect emotionally with anyone in the books -- a huge weakness if you want readers to cheer on our heroes. With strong resonance to the Hunger Games books, these two titles are to Hunger Games as Vampire Diaries are to Anne Rice. Similar content simply doesn't create similar quality. It's almost as if Patterson is making fun of the genre. He includes all the prerequisites of YA Fantasy: missing or dead parents, teens who have powers they didn't know they had, an older mentor who is seemingly inscrutable and a map. But the map is drawn carelessly, just a big box, and doesn't add anything to the story (maps are usually there to elaborate that these tales are often both physical and psychological journeys). The inscrutable mentor pops in and out just long enough to provide fortune-cookie wisdom and the yearning for parents amidst apocalyptic destruction just gets tiresome. Lastly, the powers the kids have seem to be on-again, off-again with little rhyme or reason. Rule number one in such books is that you can create any rule you want, but once you create it, you must be consistent about holding to it. As I said, I didn't hate these books, but I didn't love them. I guess I read too much. I just know the sources he took his story from are better than the work he created by using them. I can see them being popular as beach reads or for kids who just like the action without any need for a substantive story, but in the end they felt too much like a never-ending MMORPG (massive multi-player online role-playing game). Time to find the magic answer, kill the bad guy forever and ever and end this thing.

"The Dreamer" by Pam Munoz Ryan and Peter Sis

In a word, "wow." Some of this year's notable titles left me a little "ehh," not this one. "The Dreamer" was the Pura Belpre winner and is, IMHO, the top pick of the honorees. "The Dreamer" is the lyrical story of Neftali Reyes, a young boy growing up in Chile in the early 20th century. Neftali is small and thin, a lover of words with a rich imagination, and a child who craves love from a harsh and demanding father. The text off-shoots from time to time, much like Neftali's mind, with detailed artwork by Peter Sis bringing these flights of fancy to bold and detailed beauty. The soft green text is large and spaced across the pages in wide paragraphs, allowing the reader's eyes to fly across the words like they are birds in flight. It doesn't take too long for the experienced reader to realize this is the story of Pablo Neruda. A fictionalized tale taken from real events of his childhood, Ms. Ryan has done an outstanding job of giving us an insight into the mind of a man who helped change our world-view. I recently had a discussion with the TAB book group about books that can be appreciated on many levels, by different ages of readers. This is one such book. Appealing to young children (Neftali is seven when the book begins) but with enough layers and richness to appeal to adults, this story should be considered one of the "modern classics." Enjoy.

"The Girl With the Dragon Tattoo" by Stieg Larsson

Well, well. Well, well, well. This one is a little odd. First, I *never* see a movie before reading the book and second, there are people who want to ban this book. Long story short: My mom called me up this summer very anxious to see the film and I told her I hadn’t read the book yet, nor did I have the time to. But, she’s my mom, so I went to see the movie. Given that it is, on one level, a mystery, I really didn’t see the point of reading the book after seeing the film. Then, TPTB said we should ban this book and then I had to read it! Not easy to put away a 465 page tome while taking a graduate-level class while working full-time. But, given determination and a three-day week (gift of the GODS), I was able to pull it off. So first, the review.

The book is very good. Very very good. What I don’t know, and will never know, is the degree to which the movie influenced my take on it. That being said, the movie struck me as film noir. I expected the novel to border on pulp fiction. I could not have been more wrong. The book, entitled “Men Who Hate Women” in Swedish, is part of a complex, dense series that covers everything from corporate exploitation to government conspiracy to Nazis to the abuse of women in that nation. Most notably, the first book in the series has something the film does not – humor. The series was a form of Stieg Larsson’s personal diaries, so to speak. The tale reads much like his own life and is far less dark than the film. It is no wonder that every person reading the Millenium series has a different take. One reader describes the first book as a detective/crime novel, another sees it as a cry against right-wing extremism, yet another person sees it as a love story. Unlike the movie, which I felt was a crucible for the character of Lisbeth, the book to was a layered exploration of humans and the varied threads that we weave. The book is not filled with literary allusion, but it has tremendous depth, and Larsson virtually channels Dickens in his high degree of detailed description. And yet, I found myself powering through the chapters. Was it because I knew what was coming or because Larsson was able to provide a teasing through-line even during the driest of conversations? The book has such disparate storylines that the author himself makes fun of the style, remarking that his investigative journalist character Blomkvist (the alter-ego of Larsson) wrote a book which shouldn’t have hung together, but did. This story shouldn’t hold together, but it does. Another possible theme could be extracted here ... “everything is connected.” So, from a personal perspective, it was a good read. My two complaints are minor. One, the publisher used a rag-edge binding which makes page-turning difficult. Two, while one expects significant changes from the book to the film, I took exception with one change, which portrayed a minor event with Lisbeth’s laptop in a completely different way and made it far more violent in the film than in the book. There was simply no need to do this other than to hype the darkness of the film up another notch.

Now, on to the banning issue. The complaint is that the book has “one of the most brutal rape scenes” ever published. How surprised was I to find that the sexual assaults in the book are actually milder than those in the film? Okay, I know I’m visual, but the first assault in the book comes after some 170 pages, lasts less than a page, and is less specific than your average romance novel. It is blunt. And it is distressing. But it’s not exactly the strongest stuff I’ve read. The second assault is slightly more graphic, as the assault itself goes further. But again, the event is covered in about a page of text and doesn’t include the lengthy screams that made the film version so difficult to watch. Interestingly enough, it is the “retribution” section that gets very, um, specific. I’m not sure which of these attacks was objectionable to TPTB, but I would say they are very in character for an adult book that uses strong language from the beginning, blithely covers the exploits of Mikel Blomkvist (a man who likes his women) and begins section headings with statistics on female assaults in Sweden. Do I keep the book? Yes. The huge popularity of the book causes people to pick it up, but I know of four people so far (two adults and two teens) who began the book and didn’t get through the first 100 pages. It would take a dedicated reader to get to the pages where the violence is portrayed (and let’s be honest, it is a concern about violence, not sex). I have previously justified similar titles (no, I’m not saying what they are) for the same reason – their very length and mature content turns off most casual readers. Readers looking for something salacious will have to wade through many many chapters filled with detail on the Swedish economy and its business interests before getting to anything with prurient value. The book is well-written, it is well-reviewed, it does come from a known and respected publisher and it does "encourage reading." At the point last fall when the concern was voiced, every copy in the system was checked out. Does it merit a warning sticker? No. I’ve done that before and it only leads to more people wanting to check something out that may not be appropriate. We will do what we always do, and explain that we have reading materials for our entire population, which means that not every book is right for every person. This book may not speak to the bulk of our population, but it spoke to me. The power of a young woman standing up despite brutal abuse is a tale that should be told, must be told. The spirit of Lisbeth Salander is one which will make some readers cheer. The fact that the character was based on a real victim only makes the tale more poignant. Brava, Lisbeth. And Brava to those who read that which they are told not to.

"Dave at Night" by Gail Carson Levine

Gail Carson Levine departs from her girl-centered fun fantasy novels here to write a guy-centered fun historical fiction novel. As a librarian, I've had a terrible time "selling" this book because the attempt to describe it "a boy in an orphanage spends his nights enjoying the Harlem Renaissance" tend to fall flat with pre-teens. I did like the book a lot. Ms. Levine strikes a great balance in description by painting a picture that you can see, but not providing "too much" detail (as my students say). The action is fast-paced and engaging and I was able to read the entire book in a relatively short sitting despite its length. The characters are diverse and engaging, particularly that of "Grandfather" Gideon. Unexpected twists, like a slightly insane art teacher who none-the-less inspires, are replete throughout the book. This is clearly a novel aimed at upper elementary, lower middle school students. The language is straight-forward and clean, the characters have life and color but depth is only hinted at. The minor stretches of reality can be forgiven as this isn't a story of a time period as much as it is about a child with a survivor's soul and the events around him. I'm glad our students are reading it in class (it is so much more upbeat and wholesome than the dark tomes we tend to foist on them) and hope the joys of this unique moment in time can be relished by them.

"Welcome to the Ark" by Stephanie Tolan

I was prepared to dislike this book. I chose to read it after a colleague expressed concern that her elementary-aged daughter was asked to read it in class. It was, she felt, far too dark for a fifth grade child. I really wasn't up for yet another apocalyptic, dystopic, violent book. I was pleasantly surprised to discover that the plot is *not* another apocalyptic novel. Although violence paints the background of the story, the book mostly focuses on the journeys of self-discovery by four gifted children who are committed to an upscale mental health facility when their unique differences cannot be tolerated by mainstream society. Think more "Escape to Witch Mountain" than "Hunger Games." I found the characters of Miranda, Doug, Taryn and Elijah to be interesting and fun. For the first two-thirds of the book, I liked the various twists and turns and found the mix of prose with poetry and "memos" to be a nice way of moving the tale forward. The book's weakness, in my humble opinion, is not its violence but the degree to which the story is dated. Written in the mid-1990s, Ms. Tolen drew on the explosion of computer technology and the growth of militia groups under the Clinton presidency to predict a "near future" (1999) where the U.S. is besieged by internal and border violence and people are just learning how to connect to one another on the " 'nets." The passage of time has not been kind to this book. In the age of Twitter and Facebook, the awkward electronic interactions depicted are nearly laughable. The unimaginable that has occurred since the printing of this book -- Oklahoma City, Columbine and 9/11, showed our ultimate ability as a society to rise above violence and find our humanity in the face of darkness rather than be consumed by it. Beyond our growth in technology and our powerful history in the last 12 years or so, the book still feels mired in the past. Harking back to a 1970s morality tale, the last third of the book relies on hokey discussions of extra-sensory perception and a hippie-esque wholesomeness ("Goodness overcomes all") that was too much to stomach. In the end, it made for an "okay" read on a snow-day, but not something I would recommend as a class read. I don't feel the violence was over-the-top, but I do feel the writing style and vocabulary were more suited to middle school than elementary. It was a notable book and the first half was good, so it is likely to stick around for a while, but IMHO it has gone past its expiration date. Perhaps it could be used in a Creative Writing class. Given what we know now -- how should the book end?