And the Award Goes to ...

And here we are again.  SAG Awards, 2025.  Below, my thoughts and my votes.

FILMS:  “Meh”.  Beautiful filming but few, if any, films which raised the bar.  Favorites included women-forward films like “Emilia Perez” and “The Last Showgirl”.  There were tired themes done well – cognitive decline in “The Great Lillian Hall” and another musician biopic where the women are set pieces in “A Complete Unknown”.  There were creepy-as-hell films, “The Substance” and “The Piano Lesson”.  Clever films which made you think, like “The Brutalist”, “Conclave” and “A Real Pain”.  “Sing Sing” brought tears aplenty.  At least one film I loathed, “Anora” (it ran rampant on my feminist sensibilities) and the sparkly fun of “Wicked”.  But nothing which rocked the boat.  Films which made an impact but nothing that said, “Wow”.  A so-so year for so-so times.

This year’s nominees in the STREAMING/TELEVISION category were … bleak.  But not bleak like in past years, where themes of death and loss have prevailed.  Bleak as in film noir.  Dark.  Violent.  Depraved.  Ugly.  I swear, if I heard “psychological thriller” or “true crime” one more time, I was going to hurl.  There is a morose malaise which filters through nearly every project.  Can’t say I enjoyed many of them, including the comedies. Even some of the so-called funny stuff had an “edge” (although “Nobody Wants This” was charming).  There was just a prevailing sense of hopelessness and few characters you really wanted to succeed.  Not my speed.  I will say, however, that almost universally, the “filmmaking” aspect of the shows was extremely high.  “Ripley”, “True Detective:  Night Country”, “The Penguin”, “Baby Reindeer”, “Disclaimer” and “Under the Bridge” were nothing if not artful and beautifully brought to screen.  In the end there was only one drama which truly drew me in.  “Shogun”.  It is a cinematic masterpiece with Shakespearean overtones.  A showcase for brilliant actors.  A sensitive and layered script.  I had put off watching it because I knew there were lengthy subtitles, but once I started in, I could not turn away.  Paradoxically, it is large screen in concept and yet humbling and very real in execution.  These aren’t characters, they are people.  Are there bad guys?  Sure.  But every single role is multi-dimensional.  There are no simple reasons for anyone’s behavior.  There are even laughs now and then, as there are in real life.  Colonialism is dealt with realistically while the Japanese culture is respected and put at the forefront.  I would hesitate to say that this treatment of the famous Clavell novel is about the conqueror.  It is about the nation he stumbles into and the people trying to make the best of bad hands.  Worth the time.  And the tears.

Deciding on my votes was difficult.  In some cases, there was an overabundance of choices, in other cases no choices at all.  Below are the ones I settled on.

The Motion Picture Nominees are:

Outstanding Performance by a Male Actor in a Leading Role
ADRIEN BRODY / László Tóth - "THE BRUTALIST"
TIMOTHÉE CHALAMET / Bob Dylan - "A COMPLETE UNKNOWN"
DANIEL CRAIG / William Lee - "QUEER"
COLMAN DOMINGO / Divine G - "SING SING"
RALPH FIENNES / Lawrence - "CONCLAVE"

Outstanding Performance by a Female Actor in a Leading Role
PAMELA ANDERSON / Shelly - "THE LAST SHOWGIRL"
CYNTHIA ERIVO / Elphaba - "WICKED"
KARLA SOFÍA GASCÓN / Emilia/Manitas - "EMILIA PÉREZ"
MIKEY MADISON / Ani - "ANORA"
DEMI MOORE / Elisabeth - "THE SUBSTANCE" 

Outstanding Performance by a Male Actor in a Supporting Role
JONATHAN BAILEY / Fiyero - "WICKED"
YURA BORISOV / Igor - "ANORA"
KIERAN CULKIN / Benji Kaplan - "A REAL PAIN"
EDWARD NORTON / Pete Seeger - "A COMPLETE UNKNOWN"
JEREMY STRONG / Roy Cohn - "THE APPRENTICE"

Outstanding Performance by a Female Actor in a Supporting Role
MONICA BARBARO / Joan Baez - "A COMPLETE UNKNOWN"
JAMIE LEE CURTIS / Annette - "THE LAST SHOWGIRL"
DANIELLE DEADWYLER / Berniece - "THE PIANO LESSON"
ARIANA GRANDE / Galinda/Glinda - "WICKED"
ZOE SALDAÑA / Rita - "EMILIA PÉREZ"

Outstanding Performance by a Cast in a Motion Picture

A COMPLETE UNKNOWN
ANORA
CONCLAVE
EMILIA PÉREZ
WICKED

Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
DEADPOOL & WOLVERINE
DUNE: PART TWO
THE FALL GUY
GLADIATOR II
WICKED

The Television Program Nominees are:

Outstanding Performance by a Male Actor in a Television Movie or Limited Series
JAVIER BARDEM / Jose Menendez - "MONSTERS: THE LYLE AND ERIK MENENDEZ STORY"
COLIN FARRELL / Oz Cobb - "THE PENGUIN"
RICHARD GADD / Donny - "BABY REINDEER"
KEVIN KLINE / Stephen Brigstocke - "DISCLAIMER"
ANDREW SCOTT / Tom Ripley - "RIPLEY"

Outstanding Performance by a Female Actor in a Television Movie or Limited Series
KATHY BATES / Edith Wilson - "THE GREAT LILLIAN HALL"
CATE BLANCHETT / Catherine Ravenscroft - "DISCLAIMER"
JODIE FOSTER / Det. Elizabeth Danvers - "TRUE DETECTIVE: NIGHT COUNTRY"
LILY GLADSTONE / Cam Bentland - "UNDER THE BRIDGE"
JESSICA GUNNING / Martha - "BABY REINDEER"
CRISTIN MILIOTI / Sofia Falcone - "THE PENGUIN"

Outstanding Performance by a Male Actor in a Drama Series
TADANOBU ASANO / Kashigi Yabushige - "SHŌGUN"
JEFF BRIDGES / Dan Chase - "THE OLD MAN"
GARY OLDMAN / Jackson Lamb - "SLOW HORSES"
EDDIE REDMAYNE / The Jackal - "THE DAY OF THE JACKAL"
HIROYUKI SANADA / Yoshii Toranaga - "SHŌGUN"

Outstanding Performance by a Female Actor in a Drama Series
KATHY BATES / Madeline Matlock - "MATLOCK"
NICOLA COUGHLAN / Penelope Featherington - "BRIDGERTON"
ALLISON JANNEY / Vice President Grace Penn - "THE DIPLOMAT"
KERI RUSSELL / Kate Wyler - "THE DIPLOMAT"
ANNA SAWAI / Toda Mariko - "SHŌGUN"

Outstanding Performance by a Male Actor in a Comedy Series
ADAM BRODY / Noah Roklov - "NOBODY WANTS THIS"
TED DANSON / Charles Nieuwendyk - "A MAN ON THE INSIDE"
HARRISON FORD / Paul - "SHRINKING"
MARTIN SHORT / Oliver Putnam - "ONLY MURDERS IN THE BUILDING"
JEREMY ALLEN WHITE / Carmen "Carmy" Berzatto - "THE BEAR"

Outstanding Performance by a Female Actor in a Comedy Series
KRISTEN BELL / Joanne - "NOBODY WANTS THIS"
QUINTA BRUNSON / Janine Teagues - "ABBOTT ELEMENTARY"
LIZA COLÓN-ZAYAS / Tina - "THE BEAR"
AYO EDEBIRI / Sydney Adamu - "THE BEAR"
JEAN SMART / Deborah Vance - "HACKS"

Outstanding Performance by an Ensemble in a Drama Series

BRIDGERTONTHE DAY OF THE JACKAL
THE DIPLOMAT
SHŌGUN
SLOW HORSES

Outstanding Performance by an Ensemble in a Comedy Series

ABBOTT ELEMENTARY
THE BEAR
HACKS
ONLY MURDERS IN THE BUILDING
SHRINKING

Outstanding Action Performance by a Stunt Ensemble in a Television Series
THE BOYS
FALLOUT
HOUSE OF THE DRAGON
THE PENGUIN
SHŌGUN

 

"Leave the World Behind" by Rumaan Alam

Soon to be a Netflix series coming to you.  (Spoilers) I've read way (way, way, way) too many post-apocalyptic books.  This one was different.  It was the beginning of the apocalypse -- which isn't completely defined.  When the reality of the event becomes clear, the book is done.  In the meantime, we have explored racism, culture, privilege, family dynamics and ... a lot more.  It's a literary novel (finalist for the National Book Award) which is meandering, cerebral, maybe even a touch lazy in pacing.  It examines very normal people in extraordinary times.  There are few heroes here, but there aren't clear-cut villains, either..  Most of the reponses are ... well ... real.  The result, for me, was a tinge of sadness.  That when the worst comes, people don't rise above.  That's the lesson we always try to tell to children, that the good people run towards the fire.  This book makes it clear that such a take might be a fairytale.  The truth of calamity is complex and layered, and often not something which brings out our better natures.  Which left me feeling ... ?  I will be very interested in how a nuanced story like this translates onto the screen.

"Go Set a Watchman" by Harper Lee

(Spoilers) For lovers of "To Kill a Mockingbird" this is a hard pill to swallow.  Written before Mockingbird, which acts as a prequel to this tale, we see here an adult "Scout" returning to her hometown.  She has the experience so many of us have -- seeing our heroes with new eyes when nostalgia meets hard reality.  She (and the readers) see the flaws glossed over in Mockingbird.  It is a more nuanced tale.  Scout is trying to find her place in the world, and finding herself in the process.  She turns to her father, Atticus, only to find an aging man who is more racist than she ever imagined.  He believes in the law, but not in equality for Blacks.  The man she looked up to spouts replacement theory, talking about the "invasion" of mongrels. the book starts slowly but quickly becomes rich with the prose which made Harper Lee such a good writer.  Scout's internal dialog ebbs and flows with bits of conversation around her, weaving the story together like a tapestry.  There are lots of memorable and noteworthy quotes, many which are very applicable to today's America.  The book ends more with intellectualism than heart, however, and there are no clear answers.  "To Kill a Mockingbird" was a terrific lesson on our nation's dark history, but this book is a balancing note of where we went from there.

"Descendants"

This film was so innocuous I actually watched it twice, unaware of having seen it before when I watched it the second time.  While sweet and cute, it is also absolutely unmemorable.  It's a typical Disney film of late.  Decent, if not outstanding actors lost in a watercolor haze.  Songs are nice but not catchy.  Dialog is inoffensive, plotlines are gentle, the climax doesn't ... climax.  While the ingredients are there the end product is like a bread that doesn't rise.  It's okay.  Just not fabulous.  And not memorable.

"Deadpool and Wolverine"

Do I really need to review this?  I mean, everyone has seen it and it's just as brilliant, outrageous, gross, hysterically funny and rude as every other Deadpool movie, and maybe even more so.  Huge snaps to Ryan Reynolds who WERKS it, baby.  Everything, and I mean everything, from moment one is turned on its side and made fun of -- even the inevitable next spinoff hints.  One last word -- "dog".  'Nuff said.  Mic drop.

"Engaged by Christmas"

Finally.  I mean, it ain't Shakespeare, but there are a lot of positives here.  There is energy.  Sparkle.  Snappy dialog.  They veer from the "formula" just enough.  And the lead actress, Brittany Bristow, looks enough like a young Sarah Paulson that I had to Google her and see if she is a relation (she's not).  SPOILERS.  The lady of the tale, Ms. Bristow's character isn't a transplanted city girl trying to heal wounds in her country home.  She's a native of the town who quits her job, tries to open up her own agency, and gets dumped by the guy she's ready to marry.  Yes, she is hard-driving, controlling and inflexible, but that softens out quickly and the viewers realize the guy of the story has similar issues.  In case you miss that, it is stated by one character to the other.  The hiccup happens, is overcome and they all live happily ever after.  But without the saccharine.  

"A Carpenter Christmas Romance"

Maybe it's me.  Finding a decent holiday romance movie this year has been seemingly impossible.  "A Carpenter Christmas Romance" is not it.  Snarky Sasha Pieterse and her visually interesting co-lead with a slightly slushy delivery, Mitchell Slaggert, play characters in deep need of anti-depressants.  The chemistry between them has minor sizzle but no real sparks.  Most of the dialog is delivered with a "just don't have the energy to make this happen" vibe.  The red meat story of a town ravaged by fire and an ex-military guy helping out the homeless didn't appeal.  Halfway through I was brushing my teeth and getting ready for bed.  Still looking.  Suggestions welcome.

"The Merry Gentlemen"

Talented actors and Chad Michael Murray's surreal abs can't save this holiday movie from being the epitome of every so-so Christmas movie ever.  The meet-cutes, the tropes, they are all there.  Admittedly, there is some awesome choreography but it wasn't enough.  I was checking my email half an hour in.  Love Britt Robertson but not the best project I've seen her in.  Blah blah blah.  Next ... 

"Agatha All Along"

For one of the endless Marvel spinoffs, this wasn't bad, although this one episode-a-week thing really brings down the enjoyment factor.  An incredibly high-end cast and a very neat premise, along with more than a few twists I really didn't see coming, made this a fun go-to.  In some ways it was a great show which could have gone maybe an inch or two more and been spectacular.  A follow-up to "WandaVision" (which ~was~ spectacular), it opened in a way which is both very funny and a terrific homage to the previous show.  It takes a turn, and then, after we settle into the concept, takes more turns.  There are life lessons, reflections, and a lot of learning.  I'm not saying that Agatha finds redemption in the sense of becoming a good person but I appreciate that the creators let her be ... complicated.  Kathryn Hahn is perfect for the role, bringing every sigh, look and verbal intonation one could imagine.  Her performance is so deep she is like a bottomless well.  The only downside is (spoiler alert) an amazing supporting cast which -- sadly -- don't make it through all the episodes.  Totally worth the eight episodes.

No, "Die Hard" is not a Christmas movie

Yes, "Die Hard" takes place at Christmas.  But, unlike "Home Alone", I would argue that absolutely nothing in the plot or the actions would change if it were set, say, during the Fourth of July.  My argument (spoilers ahead):  John McClane travels to see his estranged wife, a rising star in an LA firm, just before the 4th of July.  He brings a really big teddy bear for his daughter (maybe it's her birthday).  He shows up at a staff party and everything goes wrong.  He uses his cop instincts to fight back against the terrorists/thieves.  After he kills the first one, he sends the guy down the elevator in red-white-and blue hat with "God Bless America" written on the guy's shirt.  Throughout, various people hum patriotic country songs.  NOTHING else changes.  The response of the cops (who probably think the gunfire is fireworks), the ulterior motive of the bad guys, the way McClane takes each one down and figures out what's going to happen.  In other words, the fact that it is Christmas has almost nothing to do with what happens or how it happens.  That being said, it's a good film.  Bruce Willis gives his patented funny, grounded, fairly real guy in the middle of extraordinary circumstances thing.  The combination of terrorism/robbery and a kind of riff on "The Towering Inferno" makes the tight film engaging.  Bonnie Bedelia and the whole cast (particularly Reginal VelJohnson, Alan Rickman and De'voreaux White) round out a strong group of actors you want to watch.  And the leading lady isn't a size 0 Barbie girl.  See, women looked like women in films in the 80s!  It's an engaging action film.  But it's not a Christmas tale.